the writer-director, Mary Mazzio, demonstrates a profound empathy with her subjects, who can admit to the charms of "Pretty Woman" without falling for it. Clips from "The Wolf of Wall Street" are used to suggest the gap between slick and sleazy
sobering, often sickening, bluntly effective piece of advocacy cinema, the rest of us have no excuse to turn away
"I Am Jane Doe" coalesces into a steamroller of pain that squashes our ability to see beyond its wounded families
by John Hartl [Seattle Times ]
