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Albert Nobbs Reviews

Albert Nobbs


Genre :


Release Date :

January 27, 2012

MPAA Rating :


Director :

Rodrigo Garcia

Starring :

Glenn Close, Mia Wasikowska, Aaron Johnson, Janet McTeer, Jonathan Rhys-Meyers, Brendan Gleeson, Maria Doyle Kennedy, Mark Williams, Bronagh Gallagher, Pauline Collins

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  Be the 1st!

“..too bad the film is such a drag, unlikely to break out beyond the arthouse circuit..”
by Peter Debruge [Variety]
Review rate : C

“..this quietly devastating film goes bone-deep..”
by Peter Travers [Rolling Stone]
Review rate : D

“..the rest of the movie, sadly, can't live up to its leads..”
by Joe Neumaier [New York Daily News]
Review rate : D

“..the point is to show the misery of a underprivileged woman ahead of her time, but so much dedication for such a small payoff makes you wonder why..”
by Rex Reed [New York Observer]
Review rate : D+

“..the movie's most affecting moment is a fantasy sequence in which Nobbs and Page don dresses and stroll through town..”
by Sara Stewart [New York Post]
“..the movie nonetheless has the slightly stiff feel of a project whose budget has been so severely trimmed..”
by Ella Taylor [NPR]
“..the movie has no tight close-ups..”
by David Edelstein [New York Magazine]
“..the complicity of these two cross-dressers provides what drive the narrative possesses..”
by Todd McCarthy [Hollywood Reporter]
Review rate : C+

“..mostly there's just a kind of soft, quiet sadness - about lives unlived, about chances lost, about loves forever unexpressed..”
by Stephen Whitty [Newark Star-Ledger]
3 of 4

“..goes heavy on the dramatic ironies in its final scenes, but in that one moment we finally are made to feel the thrill of not being seen at all..”
by Ty Burr [Boston Globe]
Review rate : D+

“..flavored storyline has its own peculiar appeal..”
by James Berardinelli [ReelViews]
Review rate : C+

“..explores the complications with a light and sensitive touch..”
by A.O. Scott [New York Times]
Review rate : C+

“..emotions so close to the vest that it's hard to care about this stoic character..”
by Claudia Puig [USA Today]
Review rate : D

“..despite all the attention to detail, the character never overtakes the actor on screen..”
by Betsy Sharkey [Los Angeles Times]
“..close's prosthetic makeup renders her face too immobile, a marked contrast with her unfixed accent..”
by Melissa Anderson [Village Voice]
Review rate : B-

“..a damp little trifle, a sketchbook of gestures, a parade of period costumes and domestic details..”
by Lisa Schwarzbaum [Entertainment Weekly]
Reviewed by Mary F. Pols [TIME Magazine]

Reader's Reviews

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“..Home doesn't stand out as fresh or particularly funny. There are stretches that feel flat..”
by Linda Barnard [Toronto Star]


“..Hart and Ferrell may not be Pryor and Wilder, but they score several laughs in this slim comedy..”
by Rafer Guzman [Newsday]


“..lazy and contrived retread can ever hope to be..”
by Rodrigo Perez [The Playlist]


“..Ned Rifle is top notch quirk and really exciting to watch..”
by Mike Shutt [Rope of Silicon]


“..while the story falls a bit into melodrama, that can't chop away at the solid drama the stars and director build beautifully..”
by Joe Neumaier [NY Daily News]


“..in While We're Young, writer-director Noah Baumbach gets hold of a good satirical premise and does halfway well by it, maybe even two-thirds..”
by David Edelstein [Vulture]


“..it's all very familiar in that Blair Witch kind of way, with neither the characters nor situations proving remotely interesting..”
by Frank Scheck [Hollywood Reporter]


“..the way director Kornel Mundruczo got Body and Luke to run the gamut of emotions from face-licking adorableness to teeth-baring killers baying for blood is genuinely impressive..”
by Cath Clarke [Time Out London]


“..a nearly laughless comedy that doesn't do its writer/director/stars any favors..”
by Roger Moore [Movienation]


“..has some recognizable stars, but they are trapped in a slim story padded with lots and lots of flesh-eating..”
by Neil Genzlinger [NY Times]