WHAT'S HOT?
Home > Movie > Y > Young Adult > Reviews

Young Adult Reviews

Young Adult

Overview


Genre :

Drama, Comedy

Release Date :

December 16, 2011

MPAA Rating :

R

Director :

Jason Reitman

Starring :

Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser, J.K. Simmons, Emily Meade, Collette Wolfe, Brady Smith, Louisa Krause

REVIEWS RATE:  Critics  Go! Watch this movie. You'll regret if not seeing it.    Readers  Be the 1st!

2 of 4

“..you'll find the engrossing centerpiece performance by Ms. Theron a captivating reward that is well worth the effort..”
by Rex Reed [New York Observer]
“..there's no pot of small-town virtue at the end of this narrative rainbow..”
by J. Hoberman [Village Voice]
Review rate : B

“..there's almost nothing cute about "Young Adult"..”
by Glenn Kenny [MSN Movies]
Review rate : C+

“..there is something absolutely mesmerizing about watching a train wreck unfold on screen..”
by Betsy Sharkey [Los Angeles Times]
“..the deliberately prickly pic courageously risks offending audiences to arrive at a truth beyond its genre's normal grasp..”
by Peter Debruge [Variety]
Review rate : C

“..on the surface, it looks and sounds a lot like Juno..”
by James Berardinelli [ReelViews]
“..movies that resist the American tendency to deliver redemption or healing (or, still worse, instruction) in the final act..”
by Andrew O'Hehir [Salon.com]
“..may at times be stuck between emotional gears, but that's by design..”
by Joe Neumaier [New York Daily News]
Review rate : C

“..fortunately has the dark (sometimes very dark) wit to wear its ambitions lightly..”
by Lou Lumenick [New York Post]
“..feels like a chapter in what by rights should be a longer film or novel..”
by Todd McCarthy [Hollywood Reporter]
Review rate : C

“..fascinating, if flawed, enterprise, an exercise in a new form of nihilistic horror..”
by Robert Levin [The Atlantic]
Review rate : A

“..ending blessedly free of anything warm, fuzzy, or optimistic..”
by Lisa Schwarzbaum [Entertainment Weekly]
“..brilliant, brave and breathtakingly cynical heart in the superficial blandness of commercial comedy..”
by A.O. Scott [New York Times]
Review rate : D+

“..at one juncture, the story threatens to spin off into Fatal Attraction territory..”
by Claudia Puig [USA Today]
Review rate : C+

“..almost make this subplot - which has the emotional heft of the main plot - come alive..”
by Peter Rainer [Christian Science Monitor]
Reviewed by Bob Mondello [NPR]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

TOMORROWLAND :

“..the movie can conjure up futuristic images, but the story is nothing we haven't seen before...”
by Stephanie Merry [Washington Post]

POLTERGEIST :

“..the spirits may have been willing with Poltergeist but the movie is weak..”
by Linda Barnard [Toronto Star]

WHEN MARNIE WAS THERE :

“..will make fans of the Japanese animation studio yearn for when Hayao Miyazaki was there. The now-retired maestro of the form had a sense of poetry and lyricism that's sadly missing here..”
by Joe Neumaier [NY Daily News]

THE HUMAN CENTIPEDE III :

“..more depravity, more terrible acting..”
by Chris Nashawaty [Entertainment Weekly]

CHOCOLATE CITY :

“..a black riff on a certain stripper movie smash..”
by Roger Moore [Tribune News Service]

ALOFT :

“..the rest of it - the healer, the journalist, the falcons - is just a thick, tedious layer of frost on the window..”
by Katharine Pushkar [NY Daily News]

RETURN TO SENDER :

“..the camera prowls menacingly through the interiors, but the writers seem too content with their improbable conceit to bother with back story or character arcs..”
by David Parkinson [Radio Times]

ROOMMATE WANTED :

“..there's plenty of entertainment value to found. Just don't expect to leave the film with a smile on your face and joy in your heart..”
by Blair Hoyle [Cinema Slasher]

CAROL :

“..it is a creamily sensuous, richly observed piece of work, handsomely detailed and furnished..”
by Peter Bradshaw [The Guardian]

YOUTH :

“..Youth has a wan eloquence and elegance, though freighted with sentimentality and a strangely unearned and uninteresting macho-geriatric regret for lost time, lost film projects, lost love..”
by Peter Bradshaw [The Guardian]