WHAT'S HOT?
Home > Movie > V > The Vow > Reviews

The Vow Reviews

The Vow

Overview


Genre :

Romance, Drama

Release Date :

February 10, 2012

MPAA Rating :

PG-13

Director :

Michael Sucsy

Starring :

Rachel McAdams, Channing Tatum, Scott Speedman, Jessica Lange, Sam Neill, Wendy Crewson, Jessica McNamee, Sarah Carter, Dillon Casey, Lucas Bryant, Jeananne Goossen

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  Be the 1st!

Review rate : D+

“..there isn't much they can do with this hokey melodrama, beyond playing it straight, playing it sincere..”
by Steven Rea [Philadelphia Inquirer]
Review rate : C

“..the understated ending that reality makes itself felt..”
by Emma Dibdin [Total Film]
Review rate : D

“..the problems start with a very lopsided script that keeps the synapse-crossed lovers too unbalanced too much of the time..”
by Betsy Sharkey [Los Angeles Times]
Review rate : D

“..the only upside, it seems, is that Rachel probably won't recall Channing's performance as hoofer Tyler in Step Up 2 The Streets..”
by Tim Evans [Sky Movies]
“..so here we have every idiotic romantic-movie cliche sexed up with brain damage..”
by MaryAnn Johanson [Flick Filosopher]
Review rate : C

“..never quite hits the gloriously weepy heights that it's obviously aiming for, but it's still a watchable and engaging romantic drama with strong performances from McAdams and Tatum..”
by Matthew Turner [ViewLondon]
Review rate : D

“..nearly every move feels calculated to wring tears or dopey grins..”
by Claudia Puig [USA Today]
Review rate : C

“..much of the action transpires against lovingly photographed Chicago landmarks..”
by Keith Phipps [AV Club]
Review rate : C

“..it's slick entertainment rather than deeply profound but it works..”
by Henry Fitzherbert [Daily Express]
Review rate : D

“..it will encourage susceptible audiences -- women, to be precise -- to believe that they've been party to Big Emotions, the kind that leave a pleasant if transient glow..”
by Kathleen Murphy [MSN Movies]
Review rate : C

“..in less skillful hands, "The Vow" would be a guilty pleasure. Instead, it's just a pleasure..”
by Colin Covert [Minneapolis Star Tribune]
“..every composition and cut is made with its calculated effect readily evident..”
by Todd McCarthy [Hollywood Reporter]
“..doesn't play by the rules of other selective-memory-loss movies, where jagged flashbacks provide glimpses into the protag's mysterious past..”
by Peter Debruge [Variety]
Review rate : D

“..designed for comfort, not shock..”
by A.O. Scott [New York Times]
Review rate : D

“..delivers more than it ought to..”
by Elizabeth Weitzman [New York Daily News]
Review rate : C

“..a more sensible, realistic film - but it may leave expectant romantics with hankies to spare..”
by Anna Smith [Time Out]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

HEMINGWAY & GELLHORN :

“..such moments feel like empty gestures when stacked up against a barrage of biopic cliches..”
by A.A. Dowd [Time Out Chicago]

COWGIRLS N' ANGELS :

“..the characters were picked perfectly, and were just so relatable..”
by OrangeHeroMama [Home of OHM]

THE INTOUCHABLES :

“..it's hard to muster much enthusiasm for a movie that leans so heavily on regressive culture-clash shtick and unimaginative stereotypes..”
by Jon Frosch [The Atlantic]

CHERNOBYL DIARIES :

“..the acting is what you’d expect-on the level of what you’ll find in any crummy horror movie shown on the SyFy network..”
by Frank Swietek [One Guy's Opinion]

MEN IN BLACK 3 :

“..sparing a few jokes and nifty set pieces..”
by John Semley [Slant Magazine]

MIGHTY FINE :

“..the mood is generally melodramatic and ends as mushy..”
by Nick Schager [Village Voice]

MOONRISE KINGDOM :

“..this meticulous and convincing detail does not add up to realism but - depending on your perspective - to something either much less or much more than that..”
by Andrew O'Hehir [Salon.com]

BATTLESHIP :

“..too much uninteresting dialogue about “mysterious” aliens to wade through – plus, oodles of nauseating jingoism and slow-motion heroism..”
by Adam Litovitz [Globe and Mail]

HYSTERIA :

“..for all of its sexual posturing and potential to be truly saucy and unconventional, Tanya Wexler's "Hysteria" is inoffensively pleasant..”
by Kevin Jagernauth [The Palylist]

RUST & BONE :

“..though unabashedly melodramatic, "Rust and Bone" resists many of the pretty comforts of the genre..”
by Peter Debruge [Variety]