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Tonight You're Mine Reviews

Tonight You're Mine

Overview


Genre :

Drama, Comedy

Release Date :

May 11, 2012 (NY)

MPAA Rating :

R

Director :

David Mackenzie

Starring :

Luke Treadaway, Natalia Tena, Mathew Baynton, Ruta Gedmintas, Sophie Wu, Gavin Mitchell, Alastair Mackenzie, Kari Corbett, Al Green

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  5 of 5 [Rate It]

4 of 5

“..their brevity and the way they're neatly woven into the film doesn't distract from the story..”
by Mayer Nissim [Digital Spy]
“..the richly saturated, largely low-light cinematography looks gorgeous and successfully captures the environmental and emotional texture of an all-night, life-changing party..”
by Karina Longworth [Village Voice]
“..the movie has nothing to offer but safe scenes of barely interesting banter and half-hearted, unfunny one-liner..”
by Jay Antani [Paste Magazine]
3 of 5

“..the coaxes a sweet-natured romance which is as warm as a nip of old malt..”
by Tim Evans [Sky Movies]
2.5 of 4

“..like the Scottish music festival where this meandering romance was shot, getting the plot from point A to point B seems beside the point..”
by Sara Stewart [New York Post]
2 of 5

“..it's largely down to a dull, self-satisfied script, which ditches characterisation in favour of a wealth of unnecessary..”
by Tom Huddleston [Time Out]
2 of 5

“..it's amiable in spots, but making half the characters American gives it an unfortunate am-dram feel..”
by Tim Robey [Daily Telegraph]
“..it seems a miracle that the crowd don't erupt with rage at getting roped into being extras..”
by Peter Bradshaw [Guardian [UK]]
Review rate : C-

“..every once in a while, the film captures the giddy joy a festival can bring..”
by Alison Willmore [AV Club]
“..at its best, this modern movie has the feel of a half-century-old rave-up..”
by Richard Corliss [TIME Magazine]
“..as thin as a jukebox dime but pretty catchy all the same..”
by A.O. Scott [New York Times]
“..a real taste of this otherwise modest movie's best creative impulses..”
by Robert Abele [Los Angeles Times]

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