Tim and Eric's Billion Dollar Movie Reviews

Tim and Eric's Billion Dollar Movie


Genre :


Release Date :

March 02, 2012 (Limited)

MPAA Rating :


Director :

Tim Heidecker, Eric Wareheim

Starring :

Tim Heidecker, Eric Wareheim, Zach Galifianakis, Robert Loggia, Jeff Goldblum, Will Forte, William Atherton, Erica Durance, Bob Odenkirk

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  Be the 1st!

3 of 5

“..wildly uneven, astoundingly puerile and pretty goddamned funny..”
by Justin Strout [Orlando Weekly]
Review rate : A-

“..there's nothing normal about this film, other than it vaguely has a beginning, a middle and an end..”
by Amanda Mae Meyncke [Film.com]
1 of 4

“..there are unsightly couplings in a sex shop, and a terribly bloody, cheesy shootout that leaves many a cast member without his head..”
by Steven Rea [Philadelphia Inquirer]
“..the film is so much of a good thing one starts to wonder if the thing is good in the first place..”
by John DeFore [Hollywood Reporter]
“..plot is irrelevant..”
by Glenn Whipp [Los Angeles Times]
2.5 of 4

“..it's standard sitcom stuff, and if homeopathic remedies by way of coprophilia aren't your idea of comedy, you'd best steer clear of this shit..”
by Brett Michel [Boston Phoenix]
“..it reminded me of The Jerky Boys Movie. Not right for film..”
by Fred Topel [Crave Online]
Review rate : B+

“..it makes a virtue of going way too far because other comedies don't go far enough..”
by Nathan Rabin [AV Club]
“..if it matches neither in anarchic imagination, Heidecker and Wareheim should still be applauded for pure destructive impulse, the healthy urge of this sick movie..”
by Aaron Hillis [Village Voice]
“..has that those others lacked are the many sexually outre, scatological and degrading moments that seem intended to shock -- and perhaps will, if you're really young or really old..”
by John Anderson [Variety]
1 of 5

“..gross-out humor and THE CONSTANT SCREAMING get tiring..”
by Joe Neumaier [New York Daily News]
3 of 4

“..freakishly pay homage to the era's cinematic and TV styles while also calling goofy attention to the storyline's randomness-is-king stupidity..”
by Nick Schager [Slant Magazine]
3 of 5

“..fans will love the funny and subversive moments; anyone who didn't "get" them premakeover may simply feel like they've been sitting in a "brown bath" for 93 minutes..”
by Matthew Love [Time Out New York]
“..even with the more traditional story arc, Tim and Eric's style still favors short bursts of surrealism and self-contained set-pieces..”
“..can be shockingly and terribly hilarious. Or not..”
by Ethan Gilsdorf [Boston Globe]

Reader's Reviews

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“..the chemistry is mostly forced, the story without an emotional core. And though Crowe's facility for language can be striking, here it never moves beyond self-consciousness..”
by Sheri Linden [Hollywood Reporter]


“..Tanu Weds Manu Returns is as entertaining and engaging a film as any that Bollywood has delivered this year..”
by Harish Jaiswal [Cine Magazine Digital]


“..the movie has a few cute moments, but for the most part it's as predictable as being bored in trigonometry..”
by Kyle Smith [New York Post]


“..director James McTeigue ( V for Vendetta) has turned in a crisply efficient thriller that doesn’t surprise but still manages to be mildly entertaining over the course of its predictable 96 minutes..”
by Cary Darling [DFW.com]


“..it's hard to appreciate San Andreas as much more than a series of special effects vistas: impeccably detailed, completely plastic..”
by Ignatiy Vishnevetsky [A.V. Club]


“..fearsomely visceral and impeccably performed, it's a brisk, bracing update, even as it remains exquisitely in period..”
by Guy Lodge [Variety]


“..delightfully inventive, funny and touching and, surreptitiously, a great way of helping kids get a handle on all those inexplicable feelings..”
by David Sexton [This is London]


“..Villeneuve handles conventional action sequences terrifically well..”
by Peter Bradshaw [The Guardian]


“..from the cloying, ever-present score to the complete lack of narrative momentum, it all adds up to a film that's easily Van Sant's worst..”
by Oliver Lyttelton [The Playlist]


“..the movie can conjure up futuristic images, but the story is nothing we haven't seen before...”
by Stephanie Merry [Washington Post]