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Tim and Eric's Billion Dollar Movie Reviews

Tim and Eric's Billion Dollar Movie

Overview


Genre :

Comedy

Release Date :

March 02, 2012 (Limited)

MPAA Rating :

R

Director :

Tim Heidecker, Eric Wareheim

Starring :

Tim Heidecker, Eric Wareheim, Zach Galifianakis, Robert Loggia, Jeff Goldblum, Will Forte, William Atherton, Erica Durance, Bob Odenkirk

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  Be the 1st!

3 of 5

“..wildly uneven, astoundingly puerile and pretty goddamned funny..”
by Justin Strout [Orlando Weekly]
Review rate : A-

“..there's nothing normal about this film, other than it vaguely has a beginning, a middle and an end..”
by Amanda Mae Meyncke [Film.com]
1 of 4

“..there are unsightly couplings in a sex shop, and a terribly bloody, cheesy shootout that leaves many a cast member without his head..”
by Steven Rea [Philadelphia Inquirer]
“..the film is so much of a good thing one starts to wonder if the thing is good in the first place..”
by John DeFore [Hollywood Reporter]
“..plot is irrelevant..”
by Glenn Whipp [Los Angeles Times]
2.5 of 4

“..it's standard sitcom stuff, and if homeopathic remedies by way of coprophilia aren't your idea of comedy, you'd best steer clear of this shit..”
by Brett Michel [Boston Phoenix]
“..it reminded me of The Jerky Boys Movie. Not right for film..”
by Fred Topel [Crave Online]
Review rate : B+

“..it makes a virtue of going way too far because other comedies don't go far enough..”
by Nathan Rabin [AV Club]
“..if it matches neither in anarchic imagination, Heidecker and Wareheim should still be applauded for pure destructive impulse, the healthy urge of this sick movie..”
by Aaron Hillis [Village Voice]
“..has that those others lacked are the many sexually outre, scatological and degrading moments that seem intended to shock -- and perhaps will, if you're really young or really old..”
by John Anderson [Variety]
1 of 5

“..gross-out humor and THE CONSTANT SCREAMING get tiring..”
by Joe Neumaier [New York Daily News]
3 of 4

“..freakishly pay homage to the era's cinematic and TV styles while also calling goofy attention to the storyline's randomness-is-king stupidity..”
by Nick Schager [Slant Magazine]
3 of 5

“..fans will love the funny and subversive moments; anyone who didn't "get" them premakeover may simply feel like they've been sitting in a "brown bath" for 93 minutes..”
by Matthew Love [Time Out New York]
“..even with the more traditional story arc, Tim and Eric's style still favors short bursts of surrealism and self-contained set-pieces..”
“..can be shockingly and terribly hilarious. Or not..”
by Ethan Gilsdorf [Boston Globe]

Reader's Reviews


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LATEST REVIEWS

UNFINISHED BUSINESS :

“..a jumble of half-baked ideas, none particularly interesting..”
by Bill Goodykoontz [Arizona Republic]

CHAPPIE :

“..Blomkamp's ideas feel depleted this time, dulled by repetition and other cinematic droids that stretch from HAL 9000 in 2001: A Space Odyssey to Ultron in the upcoming sequel to The Avengers..”
by Peter Travers [Rolling Stone]

FAULTS :

“..Winstead is one of the most intuitive actors of her generation, and though her impressive range is easy to spot, it's her elasticity that makes her so rewarding to watch..”
by David Ehrlich [Time Out New York]

KIDNAPPING MR. HEINEKEN :

“..Sam Worthington and Jim Sturgess are solid as two of the four kidnappers, but Swedish director Daniel Alfredson pushes the caper button too many times..”
by Joe Neumaier [NY Daily News]

OCTOBER GALE :

“..the material is not exceptional, but Ms. Clarkson always is. She's that rare actress over 50 who seems to land a lot of the juicy roles her younger competitors covet..”
by Rex Reed [New York Observer]

TO WRITE LOVE ON HER ARMS :

“..yet there is a touching sincerity to the entire enterprise, its lumpiness coming from a desire not to make things up, and if you can put away your cynicism, which I clearly am struggling with, the acting might win you over too..”
by Steve Morrissey [MovieSteve]

THE INTRUDERS :

“..this is one of those movies that's not very good but not so offensively bad that I regret ever seeing it. No doubt, it's also something I probably won't remember in a week..”
by Brian Oliver [The Movieman]

FOCUS :

“..like a counterfeit handbag: It looks great but falls apart when you reach into it..”
by Rafer Guzman [Newsday]

A LA MALA :

“..thoroughly predictable, and despite an original setup, the movie never rouses the emotions..”
by Marjorie Baumgarten [Austin Chronicle]

THE HUNTING GROUND :

“..the stories are horrifying, but essential to hear..”
by Joe Neumaier [NY Daily News]