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Harry Potter and the Deathly Hallows: Part II Reviews

Harry Potter and the Deathly Hallows: Part II

Overview


Genre :

Adventure, Fantasy, Drama

Release Date :

July 15, 2011

MPAA Rating :

PG-13

Director :

David Yates

Starring :

Daniel Radcliffe, Rupert Grint, Emma Watson, Gary Oldman, Jamie Campbell Bower, Bonnie Wright, Helena Bonham Carter, Tom Felton, Ralph Fiennes, Michael Gambon, Jason Isaacs, Alan Rickman, David Thewlis, Julie Walters, Kelly Macdonald, Emma Thompson

REVIEWS RATE:  Critics  Go! Watch this movie. You'll regret if not seeing it.    Readers  4 of 5 [Rate It]

4 of 5

“..winds the series up in a most-satisfying fashion..”
by Bill Goodykoontz [Arizona Republic]
4 of 4

“..turns out to be everything a summer blockbuster should be but rarely is - a whip-smart, slam-bang piece of entertainment..”
by Lou Lumenick [New York Post]
4 of 5

“..this is more than just a movie: It's a pop culture occasion..”
by Glenn Kenny [MSN Movies]
4 of 4

“..this is a terrific, smartly designed adolescent adventure, visually rich, narratively satisfying, and bound to resonate for years to come..”
by Liam Lacey [Globe and Mail]
4 of 4

“..the simplest, offering a straightforward, thrill-a-minute capper to one of the fantasy realm's longest and most convoluted plots..”
by Amy Biancolli [Houston Chronicle]
“..surges ahead with tremendous urgency, superb spectacle and powerful, even overwhelming emotion..”
by Justin Chang [Variety]
3.5 of 4

“..makes an excellent action counterpoint to Part 1's many chess moves..”
by Peter Howell [Toronto Star]
4 of 5

“..it's wonderful..”
by Elizabeth Weitzman [NY Daily News]
3.5 of 4

“..it is a rich, satisfying and altogether wonderful finale..”
by Stephen Whitty [Newark Star-Ledger]
3.5 of 4

“..extraordinarily fun, and now the decade-long saga has reached its grand finale. The best has been saved for the last..”
by Claudia Puig [USA Today]
4 of 4

“..ends with an epilogue that puts a lump in your throat and makes you want to watch them all again from the beginning..”
by Colin Covert [Minneapolis Star Tribune]
3.5 of 4

“..emotionally charged and morally deft end to a series that has never shied away from deep and aching meaning..”
by Lisa Kennedy [Denver Post]
Review rate : A-

“..as satisfying and emotionally intense - frightening, sad, and ultimately comforting - as it is visually grand..”
by Lisa Schwarzbaum [Entertainment Weekly]
3.5 of 4
Reviewed by James Berardinelli [ReelViews]
3.5 of 4
Reviewed by Peter Travers [Rolling Stone]
3.5 of 4
Reviewed by Carrie Rickey [Philadelphia Inquirer]

Reader's Reviews


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LATEST REVIEWS

RESULTS :

“..Smulders, Pearce, and Corrigan are loose and eminently likable, and the direction is so in tune with the actors that one is almost inclined to think of Results as a movie carried entirely by performance, overlooking how much its shape depends on style..”
by Ignatiy Vishnevetsky [A.V. Club]

GEMMA BOVERY :

“..the emotions are florid and the entanglements heated. But the film become preoccupied with, as Flaubert would say, the pettiness and mediocrity of daily life..”
by Joe Neumaier [NY Daily News]

NIGHTINGALE :

“.."Nightingale" feels more like a fascinating monologue than it does a wholly realized film..”
by Brian Lowry [Variety]

HEAVEN KNOWS WHAT :

“..sensational and intense..”
by Joe Neumaier [NY Daily News]

SEARCH PARTY :

“..a 'Hangover' wannabe that leaves you with a headache nonetheless..”
by Boyd van Hoeij [Hollywood Reporter]

THE GOOB :

“..a film that never quite achieves its potential..”
by Cath Clarke [Time Out London]

HOT GIRLS WANTED :

“..an intimate and ultimately harrowing peek inside the world of amateur porn..”
by Geoff Berkshire [Variety]

CLUB LIFE :

“..Abeckaser is more believable, which is unsurprising, since the movie is loosely based on his own experiences..”
by Pete Vonder Haar [Village Voice]

A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE :

“..strangely memorable and resonant, often delightful though rarely laugh-out-loud funny..”
by Deborah Young [Hollywood Reporter]

ALOHA :

“..the chemistry is mostly forced, the story without an emotional core. And though Crowe's facility for language can be striking, here it never moves beyond self-consciousness..”
by Sheri Linden [Hollywood Reporter]