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Final Destination 3 Reviews

Final Destination 3


Genre :

Drama, Horror, Thriller

Release Date :

February 10, 2006

MPAA Rating :


Director :

James Wong

Starring :

Ryan Merriman, Mary Elizabeth Winstead, Alexz Johnson, Texas Battle, Gina Holden, Kris Lemche, Amanda Crew

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  3 of 5 [Rate It]

1 of 5

“..too silly to be creepy and too lame to be funny..”
by James Brundage [Filmcritic]
“..still delivers a certain degree of over-the-top amusement..”
by Michael Rechtshaffen [The Hollywood Reporter]
7.5 of 10

“..satisfying follow-up..”
by Edward Douglas [Comingsoon]
1.5 of 4

“..might actually be the worst of the bunch..”
by Sara M. Fetters [MovieFreak]
2.5 of 5

“..lacks the audacity of the second film..”
by Daniel Fienberg [Zap2it]
2 of 5

“..it lacks the tension, surprise and conventional horror of the previous instalments..”
by David Mercier [FilmJudge]
3.5 of 5

“..is the best Destination yet..”
by Andrew Kasch [The Horror Channel]
4 of 5

“..for a wicked blend of horror and humour, here's a film that doesn't disappoint..”
by David Edwards [London Daily Mirror]
4 of 5

“..an enjoyable threequel that delivers splendidly in terms of laughs, shocks and inventive death scenes..”
by Matthew Turner [ViewLondon]
4.5 of 5
Reviewed by T.O. Sweet [The Cinema Source]
4 of 5
Reviewed by Chris Vognar [The Dallas Morning News]
4 of 5
Reviewed by JC [Movies for Guys]
4 of 5
Reviewed by [E! Online]
3.5 of 5
Reviewed by Rich Cline [Shadows on the Wall]
3.5 of 5
Reviewed by Randy Cordova [The Arizona Republic]
3.5 of 5
Reviewed by Owen Gleiberman [Entertainment Weekly]
3 of 4
Reviewed by Kim Morgan [Reel]
3 of 4
Reviewed by David Nusair [Reel Film Reviews]
3 of 4
Reviewed by Wesley Morris [Boston Globe]
3 of 5
Reviewed by Peter Bradshaw [The Guardian]
3 of 5
Reviewed by Anthony Quinn [The Independent]
3 of 5
Reviewed by Joshua Tyler [Cinema Blend]
3 of 5
Reviewed by Eugene Novikov [Film Blather]
3 of 5
Reviewed by Kevin C. Johnson [St. Louis Post-Dispatch]
2.5 of 5
Reviewed by Tim Cogshell [Boxoffice Magazine]
2.5 of 4
Reviewed by James Berardinelli [ReelViews]
2.5 of 5
Reviewed by Eric Lurio [Greenwich Village Gazette]
2 of 4
Reviewed by Ed Blank [Pittsburgh Tribune-Review]
2 of 4
Reviewed by Gene Seymour [Newsday]
2 of 4
Reviewed by Elizabeth Weitzman [New York Daily News]
1.5 of 4
Reviewed by Michael Wilmington [Chicago Tribune]
1 of 4
Reviewed by Jeff Vice [Deseret News, Salt Lake City]
0.5 of 4
Reviewed by Ed Gonzalez [Slant Magazine]
Reviewed by Ian Grey [Baltimore City Paper]

Reader's Reviews

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“..the movie can conjure up futuristic images, but the story is nothing we haven't seen before...”
by Stephanie Merry [Washington Post]


“..the spirits may have been willing with Poltergeist but the movie is weak..”
by Linda Barnard [Toronto Star]


“..will make fans of the Japanese animation studio yearn for when Hayao Miyazaki was there. The now-retired maestro of the form had a sense of poetry and lyricism that's sadly missing here..”
by Joe Neumaier [NY Daily News]


“..more depravity, more terrible acting..”
by Chris Nashawaty [Entertainment Weekly]


“..a black riff on a certain stripper movie smash..”
by Roger Moore [Tribune News Service]


“..the rest of it - the healer, the journalist, the falcons - is just a thick, tedious layer of frost on the window..”
by Katharine Pushkar [NY Daily News]


“..the camera prowls menacingly through the interiors, but the writers seem too content with their improbable conceit to bother with back story or character arcs..”
by David Parkinson [Radio Times]


“..there's plenty of entertainment value to found. Just don't expect to leave the film with a smile on your face and joy in your heart..”
by Blair Hoyle [Cinema Slasher]


“..it is a creamily sensuous, richly observed piece of work, handsomely detailed and furnished..”
by Peter Bradshaw [The Guardian]


“..Youth has a wan eloquence and elegance, though freighted with sentimentality and a strangely unearned and uninteresting macho-geriatric regret for lost time, lost film projects, lost love..”
by Peter Bradshaw [The Guardian]