WHAT'S HOT?
Home > Movie > D > The Deep Blue Sea > Reviews

The Deep Blue Sea Reviews

The Deep Blue Sea

Overview


Genre :

Drama, Romance

Release Date :

March 23, 2012 (Limited)

MPAA Rating :

R

Director :

Terence Davies

Starring :

Rachel Weisz, Tom Hiddleston, Simon Russell Beale, Ann Mitchell, Harry Hadden-Paton, Sarah Kants, Jolyon Coy

REVIEWS RATE:  Critics  Go! Watch this movie. You'll regret if not seeing it.    Readers  Be the 1st!

“..will entrance and delight fans of Terence Davies..”
by Mark Adams [Screen Daily]
“..the story, told in associative patterns rather than chronological order, is a fairly ordinary, even banal, love triangle..”
by A.O. Scott [New York Times]
“..the promising combination of his contemporary ability to mix memory and narrative with Rattigan's straight-ahead drama is as richly satisfying as it sounds..”
by Kenneth Turan [Los Angeles Times]
3 of 4

“..the image that sticks with you here is a smoky pub where the patrons are singing "You Belong to Me"..”
by Lou Lumenick [New York Post]
3 of 4

“..sophisticated filmmaking that is so welcome I recommend it highly..”
by Rex Reed [New York Observer]
Review rate : A

“..so very British and so very much a lost era..”
by Lisa Schwarzbaum [Entertainment Weekly]
“..plumbing disquieting depth..”
by Nick Pinkerton [Village Voice]
2 of 5

“..it's just too fathomable, too blue, too damn wet..”
by Catherine Shoard [The Guardian]
“..intelligent but bloodless..”
by Todd McCarthy [Hollywoodreporter.com]
3 of 5

“..an exquisite soundtrack, precisely viewed period details, and controlled performances all combine to evoke tragic emotional suffocation..”
by Elizabeth Weitzman [New York Daily News]
3 of 4
Reviewed by Peter Travers [Rolling Stone]
Reviewed by Leslie Felperin [Variety]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

TOMORROWLAND :

“..the movie can conjure up futuristic images, but the story is nothing we haven't seen before...”
by Stephanie Merry [Washington Post]

POLTERGEIST :

“..the spirits may have been willing with Poltergeist but the movie is weak..”
by Linda Barnard [Toronto Star]

WHEN MARNIE WAS THERE :

“..will make fans of the Japanese animation studio yearn for when Hayao Miyazaki was there. The now-retired maestro of the form had a sense of poetry and lyricism that's sadly missing here..”
by Joe Neumaier [NY Daily News]

THE HUMAN CENTIPEDE III :

“..more depravity, more terrible acting..”
by Chris Nashawaty [Entertainment Weekly]

CHOCOLATE CITY :

“..a black riff on a certain stripper movie smash..”
by Roger Moore [Tribune News Service]

ALOFT :

“..the rest of it - the healer, the journalist, the falcons - is just a thick, tedious layer of frost on the window..”
by Katharine Pushkar [NY Daily News]

RETURN TO SENDER :

“..the camera prowls menacingly through the interiors, but the writers seem too content with their improbable conceit to bother with back story or character arcs..”
by David Parkinson [Radio Times]

ROOMMATE WANTED :

“..there's plenty of entertainment value to found. Just don't expect to leave the film with a smile on your face and joy in your heart..”
by Blair Hoyle [Cinema Slasher]

CAROL :

“..it is a creamily sensuous, richly observed piece of work, handsomely detailed and furnished..”
by Peter Bradshaw [The Guardian]

YOUTH :

“..Youth has a wan eloquence and elegance, though freighted with sentimentality and a strangely unearned and uninteresting macho-geriatric regret for lost time, lost film projects, lost love..”
by Peter Bradshaw [The Guardian]