WHAT'S HOT?
Home > Movie > D > The Debt > Reviews

The Debt Reviews

The Debt

Overview


Genre :

Thriller, Drama

Release Date :

August 31, 2011 (Limited)

MPAA Rating :

R

Director :

John Madden

Starring :

Helen Mirren, Sam Worthington, Jessica Chastain, Ciaran Hinds, Tom Wilkinson, Marton Csokas, Jesper Christensen, Romi Aboulafia

REVIEWS RATE:  Critics  Go! Watch this movie. You'll regret if not seeing it.    Readers  3 of 5 [Rate It]

“..there's a strange fillip of senior-action payoff in a Ukrainian hospital at the end, but by then you may be too worn out to harvest its moral significance - let alone admire the twist ending..”
by Ella Taylor [NPR]
“..the suspense builds nicely, the twists come as surprises and its key characters are vivid enough..”
by Kirk Honeycutt [Hollywood Reporter]
“..the remake ups the adrenaline factor, and features strong perfs across the board, yet feels bogged down by a weighty love triangle and a subject that merits more than the old-school good vs. evil approach..”
by Jordan Mintzer [Variety]
Review rate : B+

“..the movie demonstrates, compellingly, why the answer is no..”
by Owen Gleiberman [Entertainment Weekly]
4 of 5

“..set up at the beginning by an extraordinarily chilling scene that is replayed in Rashomon-like ways throughout the film but that never loses its withering power over Rachel, Stephan, David or, as importantly, us..”
by Betsy Sharkey [LA Times]
3.5 of 4

“..relentlessly paced and artfully lensed and constructed, it's a first-rate thriller that explores loyalty, duty to country and self, and the price of deception with skill and razor-sharp precision..”
by Linda Barnard [Toronto Star]
“..predictably, the holes in the narrative set us up for a twist or three, but, in balance, it's a pleasure to be back in the wet alleys and spy-patrolled streets of the GDR, however vague they seem without '60s black-and-white cinematography..”
by Michael Atkinson [Village Voice]
3 of 5

“..is nothing more than a gritty thriller with a highbrow pedigree..”
by Elizabeth Weitzman [New York Daily News]
3 of 4

“..is definitely worth an audience's investment..”
by Claudia Puig [USA Today]
3 of 4

“..a nerve-wracking and entertaining Hollywood remake..”
by Roger Moore [Orlando Sentinel]
“..a compact, reasonably clever and sometimes piquant entertainment, but they also make you aware that it could have been more..”
by A.O. Scott [New York Times]
4 of 5
Reviewed by Bill Gibron [Filmcritic.com]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

HEMINGWAY & GELLHORN :

“..such moments feel like empty gestures when stacked up against a barrage of biopic cliches..”
by A.A. Dowd [Time Out Chicago]

COWGIRLS N' ANGELS :

“..the characters were picked perfectly, and were just so relatable..”
by OrangeHeroMama [Home of OHM]

THE INTOUCHABLES :

“..it's hard to muster much enthusiasm for a movie that leans so heavily on regressive culture-clash shtick and unimaginative stereotypes..”
by Jon Frosch [The Atlantic]

CHERNOBYL DIARIES :

“..the acting is what you’d expect-on the level of what you’ll find in any crummy horror movie shown on the SyFy network..”
by Frank Swietek [One Guy's Opinion]

MEN IN BLACK 3 :

“..sparing a few jokes and nifty set pieces..”
by John Semley [Slant Magazine]

MIGHTY FINE :

“..the mood is generally melodramatic and ends as mushy..”
by Nick Schager [Village Voice]

MOONRISE KINGDOM :

“..this meticulous and convincing detail does not add up to realism but - depending on your perspective - to something either much less or much more than that..”
by Andrew O'Hehir [Salon.com]

BATTLESHIP :

“..too much uninteresting dialogue about “mysterious” aliens to wade through – plus, oodles of nauseating jingoism and slow-motion heroism..”
by Adam Litovitz [Globe and Mail]

HYSTERIA :

“..for all of its sexual posturing and potential to be truly saucy and unconventional, Tanya Wexler's "Hysteria" is inoffensively pleasant..”
by Kevin Jagernauth [The Palylist]

RUST & BONE :

“..though unabashedly melodramatic, "Rust and Bone" resists many of the pretty comforts of the genre..”
by Peter Debruge [Variety]