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Date Night Reviews

Date Night

Overview


Genre :

Comedy, Romance

Release Date :

April 09, 2010

MPAA Rating :

PG-13

Director :

Shawn Levy

Starring :

Steve Carell, Tina Fey, Mark Wahlberg, James Franco, Ray Liotta, Mila Kunis, Mark Ruffalo, Leighton Meester, Kristen Wiig, Taraji P. Henson, Common, William Fichtner, Gal Gadot, Jimmi Simpson

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  4 of 5 [Rate It]

2 of 4

“..you'd rather stay home..”
by Joe Williams [St. Louis Post-Dispatch]
2.5 of 4

“..you leave the theater satisfied yet strangely displeased..”
by Rene Rodriguez [Miami Herald]
2.5 of 4

“..too soft to go for the turbulence roiling under this tamped-down marriage..”
by Peter Travers [Rolling Stone]
3 of 5

“..Through it all, Carell and Fey are charming and sly..”
by Joe Neumaier [New York Daily News]
2.5 of 4

“..This "Date Night" could have gone horribly awry..”
by Jeff Vice [Deseret News, Salt Lake City]
2.5 of 4

“..It's still more a smiler than a laugher..”
by Colin Covert [Minneapolis Star Tribune]
2.5 of 4

“..it's adequate entertainment..”
by James Berardinelli [ReelViews]
“..instantly forgettable..”
by Frank Scheck [Hollywood Reporter]
Review rate : B-

“..Date Night" has an unwieldy scale and is crammed with "Hey, look!" cameos..”
by Gary Thompson [Philadelphia Daily News]
3 of 4

“..Date Night is the opposite of a madcap comedy..”
by Carrie Rickey [Philadelphia Inquirer]
3.5 of 4

“..Date Night is simply irresistible..”
by Claudia Puig [USA Today]
Review rate : B

“..Date Night is a conservative comedy with mainstream values and easy-to-follow lessons..”
by Lisa Schwarzbaum [Entertainment Weekly]
“..A jumble of genres, tones, and styles..”
by Karina Longworth [Village Voice]
3 of 4

“..a genuinely sweet, funny movie..”
by Moira MacDonald [Seattle Times]
“.."Date Night" scores a home run..”
by Lael Loewenstein [Variety]
2 of 4

“.."Date Night" manages to live down to its store-brand title..”
by Wesley Morris [Boston Globe]

Reader's Reviews


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LATEST REVIEWS

TO WRITE LOVE ON HER ARMS :

“..yet there is a touching sincerity to the entire enterprise, its lumpiness coming from a desire not to make things up, and if you can put away your cynicism, which I clearly am struggling with, the acting might win you over too..”
by Steve Morrissey [MovieSteve]

THE INTRUDERS :

“..this is one of those movies that's not very good but not so offensively bad that I regret ever seeing it. No doubt, it's also something I probably won't remember in a week..”
by Brian Oliver [The Movieman]

FOCUS :

“..like a counterfeit handbag: It looks great but falls apart when you reach into it..”
by Rafer Guzman [Newsday]

A LA MALA :

“..thoroughly predictable, and despite an original setup, the movie never rouses the emotions..”
by Marjorie Baumgarten [Austin Chronicle]

THE HUNTING GROUND :

“..the stories are horrifying, but essential to hear..”
by Joe Neumaier [NY Daily News]

OUT OF THE DARK :

“..a horror movie with an anti-globalist bent that's more interesting than its halfhearted scares..”
by Sara Stewart [New York Post]

THE SALVATION :

“..delivering a highly stylized widescreen revenge picture loaded with weapons and driven entirely by "superficial action"..”
by Peter Debruge [Variety]

EVERLY :

“..the film isn't particularly convincing either as a rousing anthology of bloodsport set pieces or a deeply felt portrait of revenge and reunion..”
by Vadim Rizov [A.V. Club]

'71 :

“..the hard-charging debut feature from TV director Yann Demange, makes us live every vivid, violent moment with him, the threat of death lurking at every turn..”
by Peter Travers [Rolling Stone]

BLUEBIRD :

“..undoubtedly a remarkable achievement, especially for a first-time filmmaker..”
by Jordan Hoffman [Film.com]