AceShowbiz - The collaboration between PinkPantheress and Zara Larsson on the track Stateside has soared to the No. 1 spot on both the Billboard Global 200 and the Billboard Global Excl. U.S. charts. This rise in popularity followed a memorable moment when figure skating champion Alysa Liu skated to the song during her exhibition performance at the Milano Cortina Winter Olympics on February 21, shortly after winning the first U.S. women’s figure skating gold medal in 24 years.

PinkPantheress and Zara Larsson each celebrate their first No. 1 achievement on these prestigious global charts. PinkPantheress notably becomes the second consecutive British artist to claim the top position, following Harry Styles' "American Girls," which debuted at No. 1 the previous week. This marks a continuation of a strong UK presence on the charts, which in 2022 included a remarkable 21-week streak at No. 1 on the Global 200 by British acts like Glass Animals, Styles, and Kate Bush.

In addition, PinkPantheress is the first English female artist to lead these charts since Adele with "Easy on Me" in 2021. Meanwhile, Zara Larsson becomes the first Swedish artist to top the Billboard Global 200 and Global Excl. U.S. charts since their inception in September 2020.

Alongside their success, Dominic Fike enters the top 10 on both charts for the first time with his refreshed track "Babydoll," originally released in 2018. This resurgence highlights the ongoing impact of streaming and global sales on artist visibility worldwide.

The Billboard Global 200 and Global Excl. U.S. charts are compiled by Luminate, which gathers streaming and sales data from over 200 territories. The Global 200 includes worldwide data, while the Global Excl. U.S. chart excludes U.S. figures. Rankings are calculated using a weighted formula that accounts for official streams from both paid and ad-supported tiers across audio and video platforms, as well as download sales from full-service digital music retailers worldwide. However, sales from direct-to-consumer sites are excluded from the rankings.

During the tracking week of March 13-19, Stateside led the Global 200 with 47.7 million streams, a slight 6% decrease, and sold 2,000 units worldwide, marking a 2% increase. The song also dominated the Global Excl. U.S. chart with 31.7 million streams, down 4% outside the U.S.

Meanwhile, HUNTR/X's "Golden" climbed from No. 8 to No. 2 on the Global 200 after spending 18 weeks at No. 1 between last July and December. The song saw a 9% increase to 40.1 million streams and a 93% jump in sales to 12,000 units globally in the week ending March 19. This spike followed the track’s Academy Award win for Best Original Song on March 15, alongside its parent movie, KPop Demon Hunters, which won Best Animated Feature.

Other notable moves on the Global 200 include Olivia Dean’s "Man I Need," rising from No. 4 to No. 3 after previously peaking at No. 2; "American Girls" falling to No. 4; and Bruno Mars’ "Risk It All" sliding from No. 3 to No. 5, two weeks after debuting at No. 1.

Dominic Fike’s "Babydoll" made a significant leap from No. 17 to No. 7 on the Global 200, bolstered by a 13% rise to 41.8 million streams worldwide. Concurrently, Fike's "White Keys," released in November, jumped from No. 47 to No. 30, and he secured another top 40 hit with "Love Hangover," featuring JENNIE, which reached No. 29 in February 2025.

On the Global Excl. U.S. chart, "Golden" soared from No. 7 to No. 2 after a record 20 weeks at No. 1 from July to January. Taylor Swift’s "The Fate of Ophelia" climbed from No. 4 to No. 3 after eight weeks at the top between October and February. Olivia Dean’s "Man I Need" rose from No. 5 to No. 4, while Bad Bunny’s "DtMF" slipped from No. 3 to No. 5 after four weeks at No. 1 beginning in February. Additionally, "Babydoll" jumped from No. 14 to No. 7 with 29.1 million streams outside the United States, up 13%.

The weekly Billboard Global 200 and Global Excl. U.S. charts dated March 28, 2026, will be updated on Billboard.com on Tuesday, March 24. The top 100 positions on both charts are publicly accessible, while the complete 200-song rankings are available on Billboard Pro, Billboard’s subscription service. Fans and industry professionals can follow the latest chart news via @billboard and @billboardcharts on social media platforms X and Instagram.

Luminate, the independent data provider for Billboard, rigorously reviews all incoming data submissions used to compile weekly rankings. In collaboration with Billboard, data deemed suspicious or unverifiable is removed according to established standards to ensure chart integrity before final publication.

As Stateside continues to resonate with audiences worldwide, buoyed by its Olympic exposure and strong streaming performance, the track exemplifies the dynamic interplay between music and cultural moments that drive chart success in today’s global music market.