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Ted Nichols, Hanna-Barbera Composer Behind Scooby-Doo, Dies at 97
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Honor Ted Nichols, the Hanna-Barbera composer behind the iconic music of Scooby-Doo, The Flintstones, and Josie and the Pussycats. He was 97.

AceShowbiz - The world of animation music mourns the loss of Ted Nichols, the esteemed composer, conductor, and arranger whose work shaped the sound of classic Hanna-Barbera cartoons including The Flintstones, Scooby-Doo, Where Are You!, and Josie and the Pussycats. Nichols passed away at the age of 97 on January 9 in hospice care in Auburn, Washington, after a long battle with Alzheimer's disease, according to his daughter, Karen Tolleshaug.

Ted Nichols contributed significantly to Hanna-Barbera Productions from 1963 until 1972, serving as musical director for the company during the last eight years of his tenure. He initially collaborated with the legendary composer Hoyt Curtin before succeeding him as the primary musical director and later being succeeded by him again.

Among Nichols’ notable achievements was composing the score for the sixth and final season of the original primetime run of The Flintstones on ABC during 1965-66, as well as the 1966 feature film The Man Called Flintstone. However, his most iconic work remains his composition for Scooby-Doo, Where Are You!, which debuted on CBS Saturday mornings in September 1969.

Animation music historian Cade Utterback praised Nichols' work in his 2021 documentary on Hanna-Barbera music, calling it "a near perfect set of music for a cartoon." Utterback noted that Nichols’ underscore perfectly matched the tone of Scooby-Doo, stating, "You can't tell me it doesn't help set the mood." He highlighted that some of Nichols’ tracks, which run several minutes and contain multiple sections, were expertly edited and combined to create varied and effective musical beds throughout the series.

Moreover, Nichols’ music for Scooby-Doo remained in use across every iteration of the franchise up until 1985, demonstrating the enduring quality and influence of his compositions.

Born Theodore Nicholas Sflotsos on October 2, 1928, in Missoula, Montana, Nichols was an only child. His family later relocated to Spokane, Washington, where he began playing the violin at age 10. After graduating from John R. Rogers High School, he joined the U.S. Navy in 1946, performing in a swing band based in Corpus Christi, Texas.

During the Korean War, Nichols served as commanding officer of the U.S. Air Force Bandsmen Training School, recruiting talented musicians from prestigious institutions such as Juilliard. In parallel with his military service, Nichols earned music degrees from Baylor University and Texas A&I and worked as a public school teacher and youth symphony director in Corpus Christi.

After relocating to California, he directed the band at Santa Ana Junior College and performed as a singer with Disneyland’s Dapper Dans from 1958 to 1960. While serving as minister of music at the Church of the Open Door in Glendora, California, Nichols met Hanna-Barbera co-founder William Hanna, which helped launch his career in animation music.

In 1964, Nichols collaborated with Hoyt Curtin to score the original adventure cartoon Jonny Quest. After Curtin’s departure in 1965, Nichols became Hanna-Barbera’s primary musical director. Throughout his time at the studio, he worked on a wide range of series, including Space Ghost, Birdman and the Galaxy Trio, The Herculoids, The Fantastic Four, The Secret Squirrel Show, Shazzan, The Atom Ant Show, Wacky Races (along with its spinoffs The Perils of Penelope Pitstop and Dastardly and Muttley and their Flying Machines), Josie and the Pussycats, The Pebbles and Bam-Bam Show, and even the live-action series The New Adventures of Huckleberry Finn.

Following his departure from Hanna-Barbera, Nichols dedicated himself to composing operas and gospel music and served as musical director for Campus Crusade for Christ, where he organized music groups for children.

Kevin Sandler, co-editor of the upcoming 2024 book Hanna and Barbera Conversations, reflected on Nichols' influence, stating that his music "bridged the transition between science-fiction and slapstick programming on Saturday morning as demands for greater social control and regulation of media violence surged in the wake of Martin Luther King Jr.'s and Robert Kennedy's assassinations in 1968." Sandler further explained that Nichols used "less brass and more high woodwinds and violins in his instrumentation for Scooby-Doo and other comedy series to achieve a less intense, funnier sound."

Ted Nichols is survived by his daughter Karen, his son David, six grandchildren — Tawny, Kevin, Brian, Alex, Carson, and Cammie — and six great-granddaughters. He was married twice: first to Doris from 1950 until her death in October 2009, and then to Doris’s younger sister Catherine from 2011 until her passing in December 2020.

Ted Nichols left a lasting legacy in the world of animation music, defining the sound of many beloved series that continue to entertain generations of viewers.

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