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Netflix Begins Production on New Korean Romance Drama The Facade of Love
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From the director of The World of the Married, Mo Wan-il's new Korean drama The Facade of Love explores complex relationships. Exclusive first look.

AceShowbiz - Netflix has officially started production on the upcoming Korean drama The Facade of Love, a new romance series directed by Mo Wan-il, known for his acclaimed work on The World of the Married. The streamer shared exclusive photos from the first table read held in Seoul, providing fans with an early glimpse of the project.

The series reunites Mo Wan-il with themes of complex relationships and emotional turmoil, reminiscent of his 2020 masterpiece The World of the Married. That drama, adapted from BBC One’s Doctor Foster, captivated audiences with its intense narrative about a successful female doctor uncovering her husband’s infidelity. It achieved a record-breaking 28.4 percent nationwide rating for its finale, becoming the highest-rated Korean cable drama in history. Mo Wan-il also earned the prestigious Baeksang Arts Award for Best Director for the series.

Building on his successful collaboration with Netflix, Mo Wan-il previously directed the 2024 mystery thriller The Frog, which garnered significant global attention on the platform. The Facade of Love marks another major project, highlighting the director’s continuing influence on Korean drama’s international popularity.

The storyline centers on Ji-hun, portrayed by Lee Dong-wook, whose previously orderly life is disrupted after an intense, chance encounter with Hu-kyung, a stranger played by Jeon So-nee. Both characters return to Korea, expecting to resume their usual routines, but their unexpected connection refuses to fade, gradually causing upheaval in their lives and those around them. Jung Yu-mi plays Sun-hee, Ji-hun’s wife, while Lee Jong-won takes on the role of Dae-hee, Sun-hee’s younger brother, whose unexpected relationship with Hu-kyung deepens the plot’s twists.

This ensemble cast continues Netflix’s trend of assembling Korea’s most sought-after actors. Lee Dong-wook is internationally recognized for his role as the Grim Reaper in the 2016 hit fantasy drama Guardian: The Lonely and Great God (also known as Goblin), as well as leading parts in Tale of the Nine Tailed and Disney+’s A Shop for Killers. Jung Yu-mi is a critically acclaimed actress with multiple awards, including two Blue Dragon Film Awards, a Baeksang, and a Grand Bell Award, with notable performances in films like Train to Busan, Kim Ji-young, Born 1982, and Sleep.

Jeon So-nee gained international recognition as the lead in the 2024 Netflix hit Parasyte: The Grey, while Lee Jong-won has risen steadily through roles in dramas such as Knight Flower and The Golden Spoon. Their combined talents promise to deliver a compelling and nuanced narrative.

The Facade of Love is part of a robust year for Korean content on Netflix. Earlier in 2024, the streamer launched 33 Korean titles, ranging from reality shows like Singles Inferno to romantic comedies such as Boyfriend on Demand—featuring Blackpink’s Jisoo—and the highly anticipated film Possible Love by acclaimed director Lee Chang-dong, marking his first feature in eight years and a potential candidate for major film festivals.

Netflix further expanded its Korean slate in March with the romance series Long Vacation, directed by Lee Jung-hyo, who is also known for Crash Landing on You. This continued investment underlines Korea’s vital role as one of Netflix’s most successful content sources outside the United States.

This significance was highlighted recently when the BTS comeback concert, broadcast live from Seoul’s Gwanghwamun Square, drew an astonishing 18.4 million viewers and topped Netflix charts across 24 countries worldwide.

With Mo Wan-il at the helm and a stellar cast leading the way, The Facade of Love is poised to become another major addition to the global wave of Korean drama success on Netflix. Fans can anticipate a gripping exploration of love, betrayal, and emotional complexity set against the backdrop of contemporary Korean society.

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