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Ranking Stephen King's 2020s Novels: How Do They Stack Up?
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Stephen King is still incredibly prolific in his 70s. Dive into an evaluation of his 2020s output and see how his latest works stack up against his classics.

AceShowbiz - Since his electrifying debut novel, Carrie, in 1974, Stephen King has cemented his legacy as an extraordinarily prolific and influential author. For nearly five decades, his dedicated readership has consistently enjoyed an average of one or two new books each year. His extensive bibliography now boasts close to 70 novels, complemented by numerous short story collections and groundbreaking novellas, such as those found in Different Seasons. Stephen King's storytelling prowess extends beyond literature, with countless film and television adaptations ensuring his chilling narratives permeate popular culture. Even in his 70s, the master storyteller maintains an impressive pace, releasing enough works in the 2020s alone to warrant a timely evaluation of his recent output.

While none of his 2020s offerings have yet reached the legendary status of his full-fledged classics from the 1970s or '80s—like The Stand, It, and The Shining—or even the acclaimed 11.22.63 from the early 2010s, many of these recent titles remain remarkably solid and thoroughly enjoyable for fans of Stephen King's signature style. He largely retains his formidable writing touch, proving that age has not diminished his creative power. With more novels already planned, this focused ranking of his 2020s works should be considered an evolving assessment of a vibrant, ongoing career.

Here’s an initial look at his 2020s novels, starting with the least impactful:

6. Holly (2023)

Stephen King’s 2023 standalone novel, Holly, has faced criticism, though not primarily for its engagement with contemporary political themes. King has historically woven such commentary into his narratives without detriment; The Dead Zone, for instance, deftly incorporates political intrigue while remaining an incredibly engaging read. The principal issue with Holly, however, stems from the pervasive and often tedious references to COVID-19 and the U.S. societal response to the pandemic. It feels as if King struggles to resist mentioning these topics at every turn, creating a narrative distraction. This echoes a similar tendency observed in his earlier work, Cell, where his complaints about cell phone ubiquity became overly insistent. Regardless of whether one agrees with King’s viewpoints, the sheer repetitive nature of these discussions within the story can become genuinely annoying.

Beyond these pervasive thematic choices, the narrative and overall execution of Holly falter. The novel prominently features Holly Gibney, a character whom Stephen King himself holds in high regard, yet who often elicits a more divided response among his loyal readership. In this particular outing, Holly regrettably presents the character in what is widely considered her weakest and least compelling story arc to date, failing to elevate the material beyond its significant narrative and thematic shortcomings.

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