Will Soodik, also known professionally as William Bromell, has established himself as a versatile American screenwriter with a diverse body of work spanning both film and television. He gained significant recognition for writing Kane Parsons's psychological horror film Backrooms, a project that brought together acclaimed actors Chiwetel Ejiofor and Renate Reinsve and showcased Soodik's ability to craft tense, atmospheric narratives rooted in the popular internet mythos of liminal spaces. The film, which adapts the eerie concept of endless, unsettling office-like corridors, marked a major milestone in his career, drawing attention for its innovative approach to horror storytelling.

Before his breakthrough in feature films, Soodik honed his craft in the competitive world of television, contributing to several critically acclaimed and culturally significant series. He wrote for the groundbreaking espionage thriller Homeland, a show known for its complex characters and political intrigue, as well as the horror-comedy series Ash vs Evil Dead, where he embraced the franchise's signature blend of gore and humor. His work also extended to historical drama with Borgia, a series exploring the infamous Renaissance papal family, and the ambitious science fiction series Westworld, a show renowned for its philosophical themes and intricate narrative structures. These experiences allowed Soodik to develop a wide-ranging skill set, from crafting taut suspense to exploring darkly comedic tones and complex historical narratives.

Details about Soodik's early life and formal education remain largely private, but his professional trajectory reflects a writer who has navigated some of the most demanding writing rooms in Hollywood. His collaboration with director Kane Parsons on Backrooms represents a convergence of his television experience with the growing trend of adapting internet folklore into major motion pictures. The film's success has positioned Soodik as a writer capable of bridging niche, digital-age horror with mainstream cinematic appeal. As of now, he continues to build on his reputation as a screenwriter with a keen sense of genre and character, though specific future projects have not been widely publicized. His career stands as a testament to the power of versatility in an industry that increasingly values writers who can move seamlessly between the high-stakes worlds of premium cable dramas and the imaginative realms of psychological horror.