although wobbly in parts like so many cinematic anthologies, Garrone's alternately silly and entrancing adaptation of Giambattista Basile's Neapolitan stories provides a welcome gothic antidote to more stately treatments of similar material
a lavishly realized and long-overdue adaptation of three stories from 17th-century Neapolitan scribe Giambattista Basile's "Pentamerone," which predates and even inspired many of the classics in heavy rotation today, from Rapunzel to Cinderella
a dreamy, fresh take on the kind of dark and gory yarns that have come down to us from the Brothers Grimm and Charles Perrault, only here they're pleasingly new and unfamiliar