In the hauntingly brief yet profoundly unsettling sci-fi short ARCHAEOLOGY OF UNBORN FACES, director Zeki Yahya crafts a speculative exploration of identity and memory. The film follows a solitary archaeologist who discovers a cache of ancient, sculpted masks buried deep within a forgotten desert. Each mask bears the distinct, eerily realistic features of a face that has never been born, a ghostly imprint of a potential life that never came to be. As the archaeologist studies these artifacts, they begin to trigger fragmented, inexplicable visions—fleeting glimpses of alternate realities and the lives that could have been. The central conflict unfolds as the protagonist becomes obsessed with deciphering the masks' origin, questioning whether they are relics of a lost civilization, a biological anomaly, or a message from a parallel dimension. The tone is atmospheric and meditative, blending the gritty realism of a dig site with the ethereal melancholy of lost futures. Without revealing the ultimate truth, the narrative becomes a poignant meditation on potential, loss, and the faces we might have worn in another world.