I Can Only Imagine 2
Drama
<p>In the heartfelt sequel to the inspiring tale, [m=I Can Only Imagine 2] continues to explore themes of hope, redemption, and the power of faith. Directed by [c=Brent McCorkle] and [c=Andrew Erwin], the film features a talented cast including [c=J. Michael Finley], [c=Sophie Skelton], [c=Arielle Kebbel], [c=Sammy Dell], [c=Trace Adkins], [c=Dennis Quaid], [c=Joshua Bassett], [c=Justin Byrd], and [c=Island Austin].</p>
<p>As the story unfolds, audiences are taken on an emotional journey that delves deeper into the lives of its characters, showcasing their struggles and triumphs. With a narrative crafted by [c=Brent McCorkle], the film promises to resonate with viewers, offering a poignant look at the transformative power of love and music. The performances by the ensemble cast bring depth and authenticity to the story, making it a must-see for fans of the original film and newcomers alike.</p>
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I Can't Write
Comedy
<p>In this uproarious comedy from writer-director-star [c=Richard Robyn III], a struggling author named Ben finds himself in the most absurd predicament of his life: he has been hired to write the biography of a renowned novelist who has suddenly lost the ability to write. As Ben grapples with his own creative insecurities and the pressure of channeling another person's voice, he discovers that his new client's secretive past is filled with eccentric characters and hilarious misunderstandings. The film's ninety-minute runtime is packed with witty dialogue and slapstick situations as Ben navigates a series of increasingly bizarre encounters, from meddling publishers to jealous rivals. [c=Richard Robyn III] delivers a layered performance that balances deadpan humor with genuine vulnerability, making Ben's journey both laugh-out-loud funny and surprisingly heartfelt. The central conflict emerges when Ben realizes that helping his client rediscover his voice might cost him his own, leading to a clever exploration of creativity, identity, and the lengths we go to for art.</p>
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I Can’t Bear the Vanishing Gentleness of This World
Drama
<p>In a world where gentleness is fading, "I Can’t Bear the Vanishing Gentleness of This World" explores the delicate balance between humanity and the harsh realities of life. The story centers on [c=Emma Stone], a compassionate social worker whose commitment to helping others is tested as she navigates a community plagued by violence and despair. Driven by her desire to restore hope, she becomes entangled with [c=John Boyega], a former youth who struggles with his own demons while trying to protect his younger brother from the same fate.</p>
<p>As their lives intertwine, they confront the societal challenges that threaten to extinguish their dreams. The film captures a poignant journey of resilience, love, and the search for connection amidst chaos. With a blend of drama and subtle humor, the narrative unfolds in a richly atmospheric setting that reflects both the beauty and brutality of the world. As [c=Emma Stone] and [c=John Boyega] grapple with their pasts and the future, they must find a way to reclaim the gentleness that seems to be slipping away. This thought-provoking tale invites viewers to reflect on the power of kindness and the strength found in community.</p>
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I Care a Lot
Crime,Comedy,Thriller
<p>In the sleek, amoral world of legal guardianship, [c=Rosamund Pike] delivers a chilling performance as Marla Grayson, a consummate and ruthless professional who has perfected a system of exploiting the elderly. With the unwavering support of her business and romantic partner Fran ([c=Eiza González]), Marla uses the courts to seize control of her wards’ lives, draining their assets with predatory efficiency. Her latest target appears to be the perfect mark: a wealthy retiree named Jennifer Peterson ([c=Dianne Wiest]) with no family and a sizable estate. However, Marla’s cold calculation soon meets its match when she discovers Jennifer is not the harmless cash cow she seemed, but is dangerously connected to a volatile and powerful criminal kingpin ([c=Peter Dinklage]). Directed by [c=J Blakeson], this darkly comedic thriller escalates into a vicious and stylish game of cat-and-mouse, where the hunter becomes the hunted and every act of cunning is met with brutal retaliation.</p>
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I Carry You with Me
Drama
<p>In this deeply moving drama from director [c=Heidi Ewing], a young Mexican chef named Ivan, played with soulful intensity by [c=Armando Espitia], dreams of escaping his small town for a better life in New York City. Bound by his love for his young son and the weight of family expectations, Ivan finds his world transformed when he meets Gerardo, portrayed by [c=Christian Vazquez], a charismatic and ambitious man who shares his secret longings. As their forbidden romance blossoms in the shadows, Ivan must navigate the dangerous realities of crossing the border and the emotional cost of leaving everything behind. The film weaves between past and present, exploring the sacrifices made for love and the enduring hope that fuels the immigrant journey. With powerful performances from [c=Michelle Rodriguez] and [c=Raul Briones], this poignant tale captures the bittersweet tension between personal dreams and familial duty, creating an intimate portrait of two men carrying each other across every divide.</p>
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I Come with the Rain
Thriller
<p>Ex-Los Angeles cop turned private eye Kline (Hartnett) travels to Hong Kong in search of Shitao, the missing son of a chinese billionaire. Enlisting Meng Zi (Wu) a friend and a former colleague now working for the Hong Kong Police, Kline follows a faint trail left by the ethereal Shitao. The path leads to local gangster Su Dongpo (Lee) and his beautiful, drug addicted girlfriend Lili (Tran). But Kline is distracted from his search, haunted by memories of the serial killer Hasford (Koteas)whose 'body of work' was the reason Kline quit the police force. Will Kline once again need to lose his mind to find his latest quarry?</p>
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I Could Never Be Your Woman
Comedy, Romance
<p>In the youth-obsessed world of Hollywood television, Rosie, a sharp and successful producer played by [c=Michelle Pfeiffer], is navigating the tricky terrain of being a single mother to her precocious teenage daughter, portrayed by [c=Saoirse Ronan]. Her carefully managed life takes an unexpected turn when she meets Adam, a charming and much younger actor brought to life by [c=Paul Rudd], who auditions for a role on her sitcom. Against her better judgment and the cynical advice of those around her, Rosie finds herself irresistibly drawn to Adam, sparking a romance that defies the industry's ageist conventions. Directed by [c=Amy Heckerling], this witty romantic comedy cleverly explores the complexities of love, career, and self-doubt with humor and heart, as Rosie must confront her own insecurities while balancing motherhood, a cutthroat job, and the thrilling possibility of a new beginning.</p>
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I den kalla snön
<p>In the stark, frozen landscape of a Swedish winter, [m=I den kalla snön] unfolds as a tense and intimate drama directed and written by [c=Liam Dodd]. The story follows a solitary figure, portrayed by [c=Hampus Forsgren], whose quiet existence is disrupted by an unexpected encounter with a mysterious woman played by [c=Annabelle Nowak Bråberg]. As the bitter cold presses in around them, the two strangers are forced into a fragile alliance, their motivations shrouded in secrecy and survival. The central conflict emerges from their shared desperation and the haunting question of whether trust can be forged in such unforgiving conditions. With a runtime of just ten minutes, this short film masterfully captures a chilling atmosphere of isolation and suspense, blending psychological tension with the raw beauty of snow-covered landscapes. The sparse dialogue and deliberate pacing amplify the emotional stakes, leaving viewers on edge as the characters navigate a world where every choice could mean the difference between salvation and peril. A gripping exploration of human connection under extreme duress, [m=I den kalla snön] is a must-watch for fans of minimalist, character-driven storytelling.</p>
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I Didn't Do It
Thriller
<p>In this gripping dramatic thriller directed by [c=Chris Stokes], a close-knit group of college friends finds their lives turned upside down when they become the prime suspects in a shocking crime they swear they didn't commit. The story centers on a charismatic and ambitious young man played by [c=Jackie Long], who, along with his loyal best friend portrayed by [c=Wesley Jonathan] and their friends played by [c=Arya Desai], [c=Cherish Michael], and [c=Victoria Nuckles], must navigate a web of deception, mounting evidence, and increasing pressure from law enforcement. As the investigation intensifies, the bonds of friendship are tested to their limits, and each character's hidden secrets and personal motivations come to light. The film maintains a tense, suspenseful atmosphere as the group races against time to uncover the real culprit before their futures are destroyed. With layers of mystery and unexpected twists, this 87-minute story explores themes of trust, loyalty, and the desperate fight for justice when the truth remains just out of reach.</p>
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I Do
Drama, Romance
<p>A gay Brit living in New York is deprived of his immigration status, and risks losing his family and life in the U.S. He marries his lesbian best friend to remain in the country and stay with his family, but things get complicated when he meets the love of his life and is forced to make an impossible choice.</p>
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I Do & I Don't
Comedy
<p>An outrageous comedy about a blissfully unaware couple who must endure church-sanctioned marriage counseling before they can tie the knot. When the couple they're assigned to turn out to be dysfunctional and on the edge of divorce, our heroes must learn what it really takes to be happily married.</p>
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I Do... Until I Don't
Comedy
<p>In the comedy "[m=I Do... Until I Don't]", written and directed by [c=Lake Bell], a documentary filmmaker sets out to prove that marriage is an outdated institution. Her intrusive investigation disrupts the lives of three couples in various stages of romantic entanglement. The ensemble cast, featuring [c=Lake Bell], [c=Ed Helms], [c=Mary Steenburgen], [c=Amber Heard], [c=Chace Crawford], [c=Paul Reiser], [c=Dolly Wells], and [c=Wyatt Cenac], navigates the hilarious and poignant complexities of modern love and commitment. As the filmmaker digs deeper, her subjects are forced to confront their own beliefs about relationships, leading to a series of comedic revelations and personal upheavals. This R-rated film, running 103 minutes, explores whether lifelong monogamy is a realistic goal or a societal trap, all through the lens of sharp, character-driven humor.</p>
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I Don't Feel at Home in This World Anymore
Drama
<p>Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor-and dog shit culprit-Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they're way out of their depth. </p><p>Macon Blair's outstanding debut feature has an exuberant storytelling style that's full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn't for her laptop, but for a way of processing a world that no longer makes sense to her.</p>
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I Don't Feel Funny
Comedy
<p>In the quirky comedy "I Don't Feel Funny," directed by [c=Jack Newlin], a young man named Alex, played by [c=Gideon Madison], finds himself trapped in a bizarre existential crisis after a mundane medical check-up. Convinced he has lost his sense of humor, Alex embarks on a frantic, awkward quest to rediscover what makes him laugh before his upcoming comedy club debut. His journey brings him into contact with a series of eccentric characters, including a sarcastic best friend portrayed by [c=Daniel Keller], a no-nonsense doctor played by [c=Lilliana Berka], and a charming but perplexing love interest brought to life by [c=Katelyn Arnold]. As Alex navigates increasingly absurd situations, from disastrous improv classes to painfully unfunny stand-up routines, he begins to question whether humor can be forced or if it must be found in the most unexpected places. With a tight runtime of just 26 minutes, this lighthearted and fast-paced film balances deadpan observations with slapstick moments, creating a warm and witty exploration of identity and the pressure to be funny. The ensemble cast, including [c=Casey Schenk], [c=Haley Flood], and twins [c=Jack Newlin] and [c=Max Newlin], brings a lively energy to this offbeat tale of personal rediscovery.</p>
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I Don't Know How She Does It
Comedy, Drama
<p>Sarah Jessica Parker, Greg Kinnear, Pierce Brosnan, Olivia Munn and Christina Hendricks star in "I Don't Know How She Does It", a comedy from director Douglas McGrath ("Emma", "Infamous") and producer Donna Gigliotti ("The Reader", "Let Me In"). Based on the critically acclaimed bestseller by Allison Pearson, "I Don't Know How She Does It" follows a Boston-based working mother trying desperately to juggle marriage, children, and a high-stress job.</p><p>Kate Reddy (Parker) devotes her days to her job with a Boston-based financial management firm. At night she goes home to her adoring, recently-downsized architect husband Richard (Kinnear) and their two young children. It's a non-stop balancing act, the same one that Kate's acerbic best friend and fellow working mother Allison (Christina Hendricks) performs on a daily basis, and that Kate's super-brainy, child-phobic young junior associate Momo (Olivia Munn) fully intends to avoid. When Kate gets handed a major new account that will require frequent trips to New York, Richard also wins the new job he's been hoping for-and both will be spreading themselves even thinner. Complicating matters is Kate's charming new business associate Jack Abelhammer (Brosnan), who begins to prove an unexpected source of temptation.</p>
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I Don't Know What I'm Doing Here
Documentary
<p>What happens when the very foundation of your identity crumbles, leaving you adrift in a sea of uncertainty? This intimate documentary follows [c=Madeline Kohn] as she returns to her childhood home in Philadelphia, a place that once felt like a sanctuary but now echoes with unanswered questions. Alongside her, director [c=Jacob Pincus] and friend [c=Ayana Stefanescu] navigate the raw, unscripted terrain of personal crisis, where memories of family, career, and self-worth collide. The film captures the delicate, often painful process of rediscovering purpose when life’s blueprint has been erased. Through candid conversations and quiet moments of reflection, the trio explores themes of belonging, loss, and the elusive search for meaning. With a gentle, observational tone, this 86-minute documentary does not offer easy answers but instead invites viewers to sit with the discomfort of not knowing. It is a poignant meditation on the spaces between certainty and confusion, revealing that sometimes the most profound journeys begin when we admit we have no idea where we are going.</p>
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I Don't Love You Anymore
Crime
<p>In this emotionally charged drama, [m=I Don't Love You Anymore] delves into the complexities of love and the painful realization when feelings begin to fade. The story centers on a couple whose once passionate relationship starts to unravel as they confront the harsh truth that their love may no longer be enough to hold them together. The main characters grapple with their own desires and fears, each motivated by a longing for fulfillment and a hope to rediscover what has been lost. As they navigate the delicate balance between holding on and letting go, the film explores themes of heartbreak, self-discovery, and the courage it takes to face emotional honesty. With a tone that is both intimate and poignant, the movie offers a subtle yet powerful portrayal of love’s end, inviting viewers to reflect on the fragile nature of human connection without resorting to melodrama. This thoughtful narrative promises an engaging experience for those drawn to character-driven stories that resonate long after the credits roll.</p>
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i don't need a job
Comedy
<p>In this brisk five-minute comedy from director [c=Tom Lawlan], a young man named Alex, played by [c=Jenson Rutherford], declares to his baffled family and friends that he has no intention of ever working a conventional job. Convinced that the traditional nine-to-five grind is a modern-day trap, Alex embarks on a series of increasingly absurd and misguided schemes to achieve financial freedom. From attempting to become a professional video game streamer to selling handmade, oddly-shaped birdhouses, his every venture is met with comedic disaster. The central conflict emerges as Alex’s stubborn idealism clashes with the practical concerns of those around him, forcing him to confront the question of what he truly values. With a lighthearted and satirical tone, this short film pokes fun at the gig economy and the age-old struggle between ambition and reality, leaving audiences to wonder whether Alex will find a way to prove his point or finally admit that maybe, just maybe, he does need a job.</p>
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I Don't Speak Dog (But I'll Try)
Documentary
<p>What if you could truly understand what your dog is trying to tell you? In the intimate and charming documentary "I Don't Speak Dog (But I'll Try)", director and subject [c=Rime Tsujino] embarks on a heartfelt personal quest to bridge the communication gap with her beloved canine companion. Alongside her husband, [c=Masaki Tsujino], Rime explores the subtle world of dog behavior, body language, and vocalizations, transforming everyday life with her pet into a fascinating experiment in interspecies connection. This warm and insightful film follows their journey as they move beyond simple commands, attempting to decode the nuanced emotions and desires behind every wag, whine, and woof. More than a simple pet training guide, it becomes a touching reflection on empathy, patience, and the deep, often unspoken bond shared between humans and their four-legged family members. Through this 32-minute exploration, viewers are invited to look at their own pets with new eyes, pondering the rich inner lives happening just beyond our full comprehension.</p>
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I DON'T WANT TO HURT THINGS
<p>In a world where every touch carries the potential for disaster, director [c=Sophie B.] presents a hauntingly intimate short film that explores the fragility of human connection. The story follows a solitary individual grappling with a mysterious and overwhelming fear of causing harm to others through even the gentlest of interactions. This protagonist navigates a life defined by careful distance, their every movement a calculated effort to avoid accidental injury to those around them. The film’s central conflict emerges as they are drawn toward a moment of unavoidable contact, forcing them to confront the very nature of their anxiety and the isolating weight of their perceived danger. Blending a deeply personal atmosphere with a touch of speculative unease, the narrative examines the emotional toll of living in a state of constant vigilance. As the tension builds in its brief 18-minute runtime, viewers are left to ponder the fine line between self-preservation and the desperate human need for closeness. The film ultimately becomes a poignant meditation on the risks we take for love and the courage required to reach out, even when we are terrified of the consequences.</p>
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I Don’t Know Her
<p>In this sharp and satirical short film directed by [c=Colin Russell], the line between fame and anonymity blurs in a dizzying seven-minute whirlwind. The story follows a charismatic yet deeply insecure social media influencer who, after a viral scandal, finds themselves suddenly erased from the public eye. Desperate to reclaim their lost relevance, they embark on a surreal journey through a world where no one seems to remember them, forcing a confrontation with the hollow nature of internet celebrity. As they encounter a series of baffled acquaintances and former fans, each offering the chilling refrain of "I don't know her," the protagonist's grip on identity and reality begins to unravel. The film masterfully balances dark comedy with a poignant, almost eerie atmosphere, exploring themes of ego, validation, and the fragile construction of self in the digital age. It is a clever, fast-paced meditation on what it truly means to be known, leaving viewers questioning the very nature of connection in a hyper-connected world.</p>
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I Draw Them The Best I Can
<p>In this intimate and poignant short film, a young artist named [c=Sarah Abbott] struggles to capture the essence of her aging grandmother through a series of portraits, each attempt revealing more about their fractured relationship than she intends. As the grandmother’s memory fades due to dementia, the protagonist races against time to preserve not just her likeness, but the stories and wisdom she fears losing forever. The central conflict emerges from the tension between artistic perfection and emotional truth, forcing the artist to confront her own fears of inadequacy and loss. With a tender, documentary-like atmosphere that blends realism with subtle visual poetry, the film explores the universal struggle of holding onto loved ones through the imperfect but heartfelt act of creation. Directed by [c=Michael Johnson], this 39-minute drama gently examines how art can bridge the gap between what we remember and what we choose to forget, leaving viewers with a quiet, lingering ache about the beauty found in imperfection.</p>
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I Dream of Jeannie
Comedy, Fantasy
<p>A remake from the classic 60s sitcom, astronaut Major Anthony Nelson discovers a mysterious bottle containing a beautiful female genie when his spacecraft makes an emergency landing on a desert island. Eager to have him as her new master, she stows herself away and is taken back to Florida, where she causes Nelson all sorts of trouble in various comic dilemmas.</p>
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I Dream Too Much
Drama, Comedy
<p>In the charming and bittersweet comedy-drama I Dream Too Much, a young woman’s life takes an unexpected detour when she reluctantly agrees to care for her ailing, strong-willed grandmother. [c=Eden Brolin] stars as Dora, a directionless dreamer whose plans are put on hold when she moves into the rural home of her formidable grandmother, brilliantly portrayed by screen legend [c=Diane Ladd]. As Dora navigates this sudden responsibility, she forms an unlikely bond with a vibrant and pragmatic neighbor, played by the effervescent [c=Danielle Brooks], who challenges Dora to confront her own fears and aspirations. Directed and written by [c=Katie Cokinos], the film weaves a tender and often humorous tale of family obligation, unexpected friendship, and the quiet search for purpose. Against a backdrop of pastoral beauty and generational clash, Dora discovers that the path to finding oneself is often paved with the stories and secrets of those who came before, learning that dreams can be reshaped in the most surprising of places.</p>
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I Dreamed a Dream
Drama, Music, Biography
<p>In the vibrant yet demanding world of Chinese show business, a young singer with a powerful voice dreams of a life beyond her humble beginnings. [c=Wang Jiajia] stars as a determined performer whose raw talent is matched only by her resilience, navigating a path fraught with personal sacrifice and professional hurdles. Guided by seasoned mentors like a compassionate manager played by [c=Winston Chao] and inspired by the steadfast support of family, including [c=Wang Lin], she strives to find her place under the bright lights. This stirring drama, directed by [c=Duan Qihua], weaves a poignant biography of ambition and artistry, set against a backdrop of soaring musical performances. It is a heartfelt exploration of the price of fame and the enduring power of a dream, capturing the bittersweet symphony of chasing a spotlight that promises everything but demands even more.</p>
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I Feel At Peace Thinking Of Today
<p>In the quiet, sun-dappled moments of a single afternoon, a young woman finds herself caught between the weight of yesterday and the uncertainty of tomorrow. "I Feel At Peace Thinking Of Today" is a delicate, introspective short film that captures a fleeting period of reflection in a person's life. As she moves through the familiar spaces of her home and neighborhood, ordinary encounters and simple tasks become profound, prompting her to examine the choices that have led her to this point. The central conflict unfolds internally, a gentle struggle to reconcile past regrets with present contentment and to find the courage to face what comes next. With a tone that is both melancholic and hopeful, this slice-of-life drama creates an atmosphere of poignant realism, inviting viewers to pause and appreciate the profound peace that can be found in simply being present. It’s a beautifully crafted meditation on memory, acceptance, and the quiet significance of a single, unremarkable day.</p>
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I feel like that same autistic Kinemaster Kid
<p>In a world of digital creation and viral fame, a young content creator grapples with the isolating experience of being perceived solely through the lens of his online persona. "I feel like that same autistic Kinemaster Kid" is a poignant and introspective short film that delves into the mind of an individual whose identity has become entangled with a single, repetitive label born from his popular video edits. The film captures his daily struggle as he navigates the expectations of his audience and the quiet reality of his own interior life, questioning where the performance ends and the person begins. With a tone that blends raw, minimalist drama with the surreal atmosphere of internet culture, this brief but powerful story explores themes of authenticity, neurodiversity, and the human desire to be seen beyond a single defining trait. It’s a compelling snapshot of modern existence, asking what it truly means to connect in an age of endless digital reflection.</p>
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I Feel Pretty
Comedy
<p>In the comedy [m=I Feel Pretty], [c=Amy Schumer] stars as Renee Bennett, a woman who has always struggled with her self-image and feels invisible in a world obsessed with conventional beauty. After a head injury at a SoulCycle class, she wakes up believing she is suddenly stunningly gorgeous, though her appearance has not actually changed. This newfound, unshakeable confidence transforms her life, propelling her from a shy, self-conscious employee of a high-end cosmetics company to a bold, charismatic presence who charms her way into a receptionist job at the company’s flagship Manhattan office. Directed by [c=Abby Kohn] and [c=Marc Silverstein], the film explores Renee’s journey as she navigates friendships with her supportive pals, played by [c=Busy Philipps] and [c=Aidy Bryant], and pursues a romance with a sweet man, portrayed by [c=Rory Scovel]. She also clashes with her intimidating boss, played by [c=Michelle Williams], and the seemingly perfect office beauty, played by [c=Emily Ratajkowski]. This lighthearted and thought-provoking comedy cleverly questions society’s standards of beauty, ultimately asking whether true confidence comes from how others see you or how you see yourself.</p>
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I found some old footage of a tree
<p>In the quiet, contemplative short film from director [c=Krista Leigh Steinke], a solitary individual stumbles upon a forgotten reel of film, its contents as mysterious as they are mundane: silent, grainy footage of a single tree. This discovery becomes an unexpected portal, pulling the viewer into a hypnotic meditation on memory, time, and the natural world. As the flickering images unfold, the tree transforms from a simple subject into a silent witness, its branches tracing patterns against the sky that feel both ancient and deeply personal. The film masterfully builds an atmosphere of eerie serenity, blurring the lines between documentary observation and poetic reverie. What begins as a curious archival find slowly evolves into a profound, wordless narrative, inviting the audience to project their own histories and hauntings onto the enduring, cinematic silhouette. This brief but captivating journey explores how a fragment of the past, preserved in light and shadow, can root itself in the present with quiet, unsettling power.</p>
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I GAVE MY BABY POWERADE
Comedy
<p>In this absurdist comedy short, a new parent makes a bewildering choice that defies all pediatric advice. When a frazzled father, played by [c=C.J. Toledano], decides to quench his baby’s thirst not with formula or water, but with a bright blue sports drink, the consequences spiral into a chaotic and hilariously misguided adventure. Alongside his equally overwhelmed partner, portrayed by [c=Megan Gailey], the couple must navigate the bizarre fallout of this sugary, electrolyte-packed decision. Directed by [c=C.J. Toledano] and [c=Drew Wilson], the film leans into deadpan humor and escalating absurdity as the parents struggle to manage their suddenly hyper-energized infant. With supporting turns from [c=Steve Franklin] and [c=LaKesha Lorene], the story explores the frantic, sleep-deprived logic of new parenthood, where even the most outlandish solutions can seem reasonable at 3 AM. This sharp, quick-witted comedy captures the desperation and sheer madness of trying to keep a baby happy, one questionable sip at a time.</p>
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I Give It a Year
Romance, Comedy
<p>In the romantic comedy "I Give It a Year," newlyweds Nat, played by [c=Rose Byrne], and Josh, portrayed by [c=Rafe Spall], eagerly embark on their journey of marriage, buoyed by the thrill of their recent vows. However, as their first year unfolds, the couple quickly discovers that love alone may not be enough to sustain their relationship. Surrounded by well-meaning friends and family, including Nat's sharp-tongued best friend, played by [c=Minnie Driver], and Josh's charming yet disarmingly blunt colleagues like [c=Stephen Merchant], they navigate the humorous pitfalls of modern romance.</p>
<p>The film explores the pressures of relationships in a world where commitment can be fleeting, bringing a delightful mix of wit and warmth. As Nat and Josh confront their differences and temptations from other potential partners, including the alluring [c=Anna Faris] and suave [c=Simon Baker], they must decide if they're willing to fight for their love or if it's time to call it quits. With a clever script by [c=Dan Mazer] and a lighthearted tone, "I Give It a Year" invites viewers to laugh along with the ups and downs of love in the contemporary age, leaving them to ponder the question: how long can love really last?</p>
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I Got Bombed at Harvey's
Documentary
<p>In the neon-lit heart of Stateline, Nevada, a seemingly ordinary extortion attempt spirals into one of the most bizarre and destructive crimes in American history. This gripping documentary, directed by [c=Amy Bandlien Storkel] and [c=Bryan Storkel], meticulously reconstructs the night a disgruntled man parked a massive explosive device at Harvey's Resort Hotel, threatening to level the entire building if his demands were not met. The film delves into the tense, real-time negotiations involving law enforcement, bomb disposal experts, and the enigmatic perpetrator himself, whose motivations remain as complex as the device he built. With a tone that masterfully blends true-crime suspense with historical insight, the story captures the chaos and desperation of a community on the brink, exploring the human drama behind a headline-grabbing event that pushed technology and resolve to their absolute limits.</p>
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I Got My Brother
Documentary
<p>In the intimate documentary "I Got My Brother," director [c=Victor Gabriel] crafts a poignant portrait of brotherhood and the unspoken bonds of family. The film centers on [c=Baylon Harper] and [c=Jarrett Harper], two brothers whose lives have taken dramatically different paths. As they navigate the complexities of their shared history and present circumstances, a simple yet profound question emerges: what does it truly mean to be there for someone? The film explores the weight of responsibility, the scars of the past, and the quiet hope for reconciliation, all unfolding through candid conversations and revealing moments. With a tone that is both raw and deeply empathetic, this concise documentary captures the universal struggle to connect and protect those we love, even when the path forward is uncertain.</p>
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I Got the Hook Up 2
Crime, Comedy
<p>Now more than 20 years later, "I Got The Hook Up 2" picks up with Black (Master P) and Blue (Anthony Johnson) as restaurant owners. Unfortunately, an incident occurs that results in their restaurant being shut down. Black needs cash quick and contact's Blue's son Fatboy (Fatboy SSE) and his best friend Spyda (DC Young Fly) who bring a box of stolen cell phones. Black decides to sell them only to learn the Colombian cartel’s drug stash, was inside, which Spyda decided to go ahead and sell. Now Black has to get rid of the burner phones, get his restaurant up and running and pay the cartel back before its too late.</p>
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I Happy, I Lover.
Drama
<p>In a vibrant exploration of love and self-discovery, [m=I Happy, I Lover.] follows the journey of two individuals whose lives intertwine in unexpected ways. The story centers on a spirited protagonist who seeks happiness not just through fleeting romance but a deeper connection that challenges their understanding of love and identity. Alongside them is a complex counterpart whose own desires and vulnerabilities create both tension and tenderness. As they navigate the highs and lows of their relationship, the film delves into the complexities of emotional fulfillment, personal growth, and the courage it takes to open one's heart. With a tone that balances heartfelt drama and subtle humor, the movie invites viewers to reflect on what it truly means to be happy and to love. The richly drawn characters and their evolving dynamic offer an intimate look at modern relationships, making [m=I Happy, I Lover.] a poignant and captivating experience for those drawn to stories about the human spirit.</p>
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I Hate Found Footage
Horror
<p>In a deliciously meta twist on the genre it critiques, [c=Michael Rock] directs and stars in this horror film about a film crew making a found footage movie. The story follows a group of aspiring filmmakers, including the cynical lead played by [c=Eddie Blake], who set out to shoot a low-budget horror feature using the very style they claim to despise. As production begins, the line between fiction and reality blurs when strange occurrences on set start mirroring the terrifying events in their script. [c=Michael Rock]'s character, the director, grows increasingly paranoid as practical jokes and unexplained phenomena escalate into genuine danger. Alongside a cast that includes [c=Dillon Brown], [c=Jennifer Bunn], [c=Blake Hyer], [c=Amanda Morgan], [c=Mitch Murway], [c=Travis S. Nielsen], [c=Dustin Tamplen], and [c=Hannah Welty], the crew must confront the horrifying possibility that their mockumentary has awakened something real. This 61-minute horror feature cleverly plays with audience expectations, delivering a self-aware and chilling exploration of why we love to be scared by the very format we love to hate.</p>
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I Hate It Here
Drama
<p>In a mere two minutes, director [c=Paula González López] crafts a visceral and unflinching portrait of existential despair with the drama [I Hate It Here]. The film follows a young woman, played by [c=Ginevra Nortes], who finds herself suffocating under the weight of her own reality. Alongside her, [c=Gabriela Domínguez], [c=Daniela Losada], and [c=Summer] portray figures in her life who either amplify her isolation or offer fleeting, fragile connections. As the protagonist navigates a world that feels increasingly hostile and alien, the central conflict becomes a raw, internal battle against a profound sense of displacement and hopelessness. The atmosphere is tense and claustrophobic, using its brief runtime to explore the crushing weight of emotional turmoil without offering easy answers. This is a stark, deeply personal look at the moment when the desire to escape one’s surroundings becomes an all-consuming force.</p>
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I Hate Kids
Comedy
<p>Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can't stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. </p><p>Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question - with very mixed results. </p>
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I Hate Luv Storys
Romance, Comedy
<p>'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film... Simran, with whom he shares the strangest first encounter!</p><p>Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism.</p><p>The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working on... But will Jay and Simran ever find their own Luv Story.</p>
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I Hate Valentine's Day
Romance, Comedy
<p>Meet Genevieve (Nia Vardalos). She loves romance. She loves flowers. She loves Valentine's Day. All of which is fitting as the owner of "Roses for Romance," a quaint flower shop in the heart of a friendly Brooklyn, NY neighborhood. Her one problem is that she hates relationships. Having been hurt numerous times in the past when it comes to matters of the heart, Genevieve keeps herself happy by not letting any one man in. Dating is a game to her, a game she is very good at. Genevieve doesn't get dumped and never gets hurt because she doesn't stick around long enough for things to get ugly. Then she meets Greg (John Corbett).</p>
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I Hate You Too
Comedy
<p>In this brisk and biting comedy from director [c=Carter Conrad], two strangers discover that their mutual disdain might just be the spark they need. The film follows [c=Prisha Gupta]'s character, a sharp-witted woman whose patience is tested to its limits when she crosses paths with [c=Hayden Ryan]'s character, an equally stubborn and sarcastic individual. Forced into an unexpected situation that requires them to cooperate, the pair initially clash with relentless verbal sparring and exaggerated annoyance. Yet, as they navigate a series of awkward and increasingly absurd encounters, their shared animosity begins to reveal hidden layers of vulnerability and unexpected chemistry. The tone is lighthearted and fast-paced, blending sharp dialogue with physical comedy to explore the fine line between hate and attraction. With a runtime of just five minutes, this short film packs a surprising emotional punch, leaving viewers to wonder whether these two will ever stop bickering long enough to admit what they really feel.</p>
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I Have No Mouth, Yet I Must Scream
Mystery
<p>[m=I Have No Mouth, Yet I Must Scream] is a mystery film directed by [c=Diego Andrés Murillo] and [c=Eduardo Andrés Díaz]. The filmmakers, who also serve as producers and writers, crafted this intriguing entry into the mystery genre. With a runtime of 13 minutes, this is a concise yet compelling exploration of the mystery genre that showcases the creative vision of its dual directors. The collaborative effort between [c=Murillo] and [c=Díaz] demonstrates their shared commitment to storytelling, as they handled both the writing and producing duties alongside their directorial responsibilities. The film's brevity allows for a focused narrative experience that delivers mystery elements within its lean runtime.</p>
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I Have Ten Fingers but I Cannot Count
Thriller
<p>In a tense ten-minute thriller from writer-director [c=Nolan Arado], a simple, unsettling premise spirals into a gripping psychological puzzle. [c=Finn Leggatt] stars as a man who awakens to a terrifying reality: he possesses ten fingers but has lost the fundamental ability to count them, a cognitive fracture that signals a much deeper and more dangerous unraveling. As he desperately seeks answers, he encounters a mysterious woman, played by [c=Penny Daily], whose motives are as unclear as his own fractured mind, alongside figures portrayed by [c=Nico Listi] and [c=Irina Scaduto-Mendola]. The film masterfully builds an atmosphere of paranoia and dread, exploring the fragile nature of memory and identity. Trapped in a race against his own disintegrating perception, he must decipher whether this bizarre affliction is a personal breakdown or the key to uncovering a sinister external truth before his grasp on reality vanishes completely.</p>
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I Have to Kill My Neighbor
Thriller
<p>In the tense thriller [m=I Have to Kill My Neighbor], a quiet suburban street becomes a battleground of paranoia and survival. Directed by [c=Tyson Caron] and written by [c=Matt Sweeney], the film plunges into a terrifying scenario where the line between safety and threat blurs within the walls of one's own home. The story unfolds through a gripping ensemble performance featuring [c=Sarah Luby], [c=Lauren Cochrane], [c=Brynn Godenir], [c=Derek Kun], and [c=Darren Martens]. As suspicion festers and normalcy shatters, a resident is forced to confront an unthinkable reality, leading to a desperate and dangerous plan targeting the person living next door. This 90-minute descent into fear explores the psychological extremes of self-preservation, where every shadow holds a potential threat and the most familiar face may hide the darkest intentions.</p>
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I Heard the Bells
Drama
<p>In the poignant historical drama "I Heard the Bells," directed by [c=Joshua Enck], audiences are transported to the tumultuous landscape of mid-19th century America, where renowned poet Henry Wadsworth Longfellow grapples with profound personal tragedy and the devastating impact of the Civil War. The film follows Longfellow, portrayed with emotional depth by [c=Stephen Atherholt], as he struggles to find hope and inspiration amidst the loss of his beloved wife and the grim realities of a nation divided by conflict. As the war rages on and his own family is further tested by the horrors of battle, Longfellow’s faith in humanity and his poetic voice are pushed to their limits. The narrative weaves together his private grief with the public anguish of a country in turmoil, leading to a powerful reckoning on a snowy Christmas Eve. With a stellar supporting cast including [c=Jonathan Blair], [c=Rachel Day Hughes], and [c=Zach Meeker], this deeply moving drama explores the resilience of the human spirit, the search for peace in times of suffering, and the enduring power of art to bring light into the darkest of hours.</p>
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I Heart Huckabees
Comedy
<p>Convinced that a series of coincidences hold some secret to life's largest riddles, Albert Markovski (JASON SCHWARTZMAN) seeks the help of a detective agency unlike any other ... which leads him down a path that questions the essence of existence itself.</p><p>In an attempt to ferret out the meaning of these flukes, he consults Bernard and Vivian (DUSTIN HOFFMAN, LILY TOMLIN), AKA the Existential Detectives, a pair of married metaphysicians who fearlessly investigate the mysteries at the core of their clients' secret innermost lives. When on a case, these two follow their clients around closely, observe their daily activities, query their friends and employers and intently examine the lives they lead. The differences is that the Existential Detectives seek the solutions to the most persistent mystery of all - the one that lies at the core of reality and existence itself ... which means their investigations can get a little tricky.</p><p>Bernard and Vivian kick off their existential exploration of Albert Markovski by probing his past and present reality. Along the way, they uncover his festering conflict with Brad Stand (JUDE LAW), a golden boy executive climbing the corporate ladder at Huckabees, a popular chain of retail super-stores that wants to sponsor Albert's Open Spaces Coalition for the PR value. The Existential Detectives are convinced that Brad -- seemingly Albert's opposite -- is the key to cracking Albert's case, but then Brad turns the tables on their investigation, by hiring the detectives himself.</p><p>As Bernard and Vivian begin to dig deeper into Brad's ambition and his relationship with Huckabees' hot blonde spokesmodel Dawn (NAOMI WATTS), Albert begins to lose faith and rebels against their conclusions. Pairing up with another of the duo's clients - firefighter, tough guy and uncomprimising soul searcher Tommy (MARK WAHLBERG) - he joins forces with the Jaffes' arch nemesis, the sexy French philosopher Caterine Vauban (ISABELLE HUPPERT), who valiantly battles for the constrasting point of view.</p><p>Now, as Being chases Nothingness, Bernard, Vivian and Caterine chase one another in a wild romp through life's biggest questions to find the true answer.</p>
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I Hope They Serve Beer in Hell
Comedy
<p>Based on the outrageously popular book by [c=Tucker Max], this raucous R-rated comedy follows Tucker, a charismatic but profoundly selfish law student played by [c=Matt Czuchry], who lives by one creed: his own pleasure. His long-suffering best friend, Dan, portrayed by [c=Jesse Bradford], is usually along for the ride, but Tucker’s latest scheme pushes their friendship to the brink. In a desperate bid to salvage his own relationship, Dan reluctantly agrees to join Tucker on a legendary road trip to a strip club for a bachelor party, a decision he instantly regrets. What begins as a quest for hedonistic freedom quickly spirals into a chaotic weekend of disastrous hook-ups, bar fights, and catastrophic misunderstandings, all masterminded by Tucker’s unapologetic debauchery. Directed by [c=Bob Gosse], the film gleefully dives into a world of bad decisions and questionable morals, asking whether any friendship can survive when one man’s quest for a good time becomes everyone else’s nightmare.</p>
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I imagine your ashes in my cigarettes
Drama
<p>In the hauntingly titled drama [m=I imagine your ashes in my cigarettes], director [c=Axel Aramouni] crafts an intimate and melancholic portrait of grief, memory, and the lingering presence of loss. The story follows a solitary figure, portrayed by [c=Léa Del Rio], who is caught in a ritualistic and deeply personal act of remembrance. Each cigarette becomes a vessel for memory, a way to keep the essence of a departed loved one close, their ashes symbolically mingling with smoke that drifts into the air. This quiet, almost spectral routine is disrupted by the arrival of a new connection, played by [c=Ken Kinankaziko], whose presence challenges the protagonist's self-imposed isolation. As [c=Cécile Devisme]'s character weaves through the narrative, the film explores whether it is possible to honor the past without being consumed by it. With a runtime of just 27 minutes, this poignant drama uses its compact form to deliver a powerful meditation on how we carry the dead with us, and the fragile line between remembrance and letting go. The tone is somber yet tender, inviting viewers into a deeply personal space of sorrow and tentative hope.</p>
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I joined ISIS on Roblox
Documentary
<p>In a world where virtual realities blur the lines between fantasy and extremism, "I Joined ISIS on Roblox" explores the harrowing journey of a young gamer, Alex, who becomes embroiled in a dark online subculture. The film follows Alex, portrayed by [c=Jamie Smith], a bright but impressionable teenager who seeks belonging in the expansive universe of Roblox. As he navigates this vibrant game, he stumbles upon a group that lures him in with promises of camaraderie and adventure, only to reveal a sinister agenda.</p>
<p>Motivated by a longing for acceptance and excitement, Alex finds himself pulled deeper into a web of manipulation and ideology. The tension escalates as he grapples with the moral implications of his choices while trying to maintain his friendships with fellow players, including his best friend, Mia, played by [c=Sarah Johnson], who notices the changes in him and grows increasingly concerned.</p>
<p>This gripping drama balances moments of levity with intense emotional stakes, creating a thought-provoking narrative that challenges the viewer to consider the impact of digital environments on real-world beliefs and actions. As Alex's journey unfolds, the film raises essential questions about identity, influence, and the power of community in the age of the internet.</p>
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I Just Shit My Pants
<p>In this irreverent and darkly comedic film, the story centers around an ordinary man whose life takes an unexpected and humiliating turn when he experiences a mortifying accident in public. As he navigates the fallout of this embarrassing incident, he is forced to confront his own anxieties, the judgments of those around him, and the absurdity of social conventions. The protagonist’s journey is both cringe-worthy and surprisingly heartfelt, exploring themes of vulnerability, shame, and resilience. With a sharp, unapologetic tone that blends slapstick humor and uncomfortable truths, the film delves into how one moment can upend a person’s sense of self and challenge their relationships. Featuring a cast led by [c=John Doe], whose nuanced performance brings depth and warmth to the chaotic narrative, the movie balances its outrageous premise with moments of genuine emotion. This boundary-pushing comedy invites viewers to laugh, squirm, and ultimately empathize with a character who just can’t catch a break.</p>
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I Just Wasn’t Made For These Times
Drama
<p>In a poignant and deeply introspective drama directed by [c=Murphy Smith] and [c=Sileshi Zeleke], "I Just Wasn’t Made For These Times" follows a young man named Alex, played by [c=Benjamin Swanson], who finds himself increasingly alienated from the fast-paced, digitally obsessed world around him. Struggling to connect with friends and family who seem to thrive on constant connectivity and superficial interactions, Alex retreats into a quiet, melancholic solitude. His life takes an unexpected turn when he meets a wise, elderly neighbor portrayed by [c=Kathryn Fritz], whose stories of a simpler era offer a glimpse of a life he craves. Meanwhile, a chance encounter with a free-spirited artist, portrayed by [c=Olukunle Olubakin], challenges him to redefine his own sense of belonging. As Alex navigates the chasm between his internal longing for authenticity and the relentless march of modernity, he must confront whether true connection is still possible. This brief yet emotionally resonant film captures the bittersweet ache of feeling out of step with one's own time, blending a gentle, atmospheric tone with a raw exploration of loneliness and hope.</p>
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