<p>In the intimate documentary "I Got My Brother," director [c=Victor Gabriel] crafts a poignant portrait of brotherhood and the unspoken bonds of family. The film centers on [c=Baylon Harper] and [c=Jarrett Harper], two brothers whose lives have taken dramatically different paths. As they navigate the complexities of their shared history and present circumstances, a simple yet profound question emerges: what does it truly mean to be there for someone? The film explores the weight of responsibility, the scars of the past, and the quiet hope for reconciliation, all unfolding through candid conversations and revealing moments. With a tone that is both raw and deeply empathetic, this concise documentary captures the universal struggle to connect and protect those we love, even when the path forward is uncertain.</p>

<p>Now more than 20 years later, "I Got The Hook Up 2" picks up with Black (Master P) and Blue (Anthony Johnson) as restaurant owners. Unfortunately, an incident occurs that results in their restaurant being shut down. Black needs cash quick and contact's Blue's son Fatboy (Fatboy SSE) and his best friend Spyda (DC Young Fly) who bring a box of stolen cell phones. Black decides to sell them only to learn the Colombian cartel’s drug stash, was inside, which Spyda decided to go ahead and sell. Now Black has to get rid of the burner phones, get his restaurant up and running and pay the cartel back before its too late.</p>

<p>In a vibrant exploration of love and self-discovery, [m=I Happy, I Lover.] follows the journey of two individuals whose lives intertwine in unexpected ways. The story centers on a spirited protagonist who seeks happiness not just through fleeting romance but a deeper connection that challenges their understanding of love and identity. Alongside them is a complex counterpart whose own desires and vulnerabilities create both tension and tenderness. As they navigate the highs and lows of their relationship, the film delves into the complexities of emotional fulfillment, personal growth, and the courage it takes to open one's heart. With a tone that balances heartfelt drama and subtle humor, the movie invites viewers to reflect on what it truly means to be happy and to love. The richly drawn characters and their evolving dynamic offer an intimate look at modern relationships, making [m=I Happy, I Lover.] a poignant and captivating experience for those drawn to stories about the human spirit.</p>

<p>In a mere two minutes, director [c=Paula González López] crafts a visceral and unflinching portrait of existential despair with the drama [I Hate It Here]. The film follows a young woman, played by [c=Ginevra Nortes], who finds herself suffocating under the weight of her own reality. Alongside her, [c=Gabriela Domínguez], [c=Daniela Losada], and [c=Summer] portray figures in her life who either amplify her isolation or offer fleeting, fragile connections. As the protagonist navigates a world that feels increasingly hostile and alien, the central conflict becomes a raw, internal battle against a profound sense of displacement and hopelessness. The atmosphere is tense and claustrophobic, using its brief runtime to explore the crushing weight of emotional turmoil without offering easy answers. This is a stark, deeply personal look at the moment when the desire to escape one’s surroundings becomes an all-consuming force.</p>

<p>Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can't stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. </p><p>Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question - with very mixed results. </p>

<p>'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film... Simran, with whom he shares the strangest first encounter!</p><p>Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism.</p><p>The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working on... But will Jay and Simran ever find their own Luv Story.</p>

<p>Meet Genevieve (Nia Vardalos). She loves romance. She loves flowers. She loves Valentine's Day. All of which is fitting as the owner of "Roses for Romance," a quaint flower shop in the heart of a friendly Brooklyn, NY neighborhood. Her one problem is that she hates relationships. Having been hurt numerous times in the past when it comes to matters of the heart, Genevieve keeps herself happy by not letting any one man in. Dating is a game to her, a game she is very good at. Genevieve doesn't get dumped and never gets hurt because she doesn't stick around long enough for things to get ugly. Then she meets Greg (John Corbett).</p>

<p>In this brisk and biting comedy from director [c=Carter Conrad], two strangers discover that their mutual disdain might just be the spark they need. The film follows [c=Prisha Gupta]'s character, a sharp-witted woman whose patience is tested to its limits when she crosses paths with [c=Hayden Ryan]'s character, an equally stubborn and sarcastic individual. Forced into an unexpected situation that requires them to cooperate, the pair initially clash with relentless verbal sparring and exaggerated annoyance. Yet, as they navigate a series of awkward and increasingly absurd encounters, their shared animosity begins to reveal hidden layers of vulnerability and unexpected chemistry. The tone is lighthearted and fast-paced, blending sharp dialogue with physical comedy to explore the fine line between hate and attraction. With a runtime of just five minutes, this short film packs a surprising emotional punch, leaving viewers to wonder whether these two will ever stop bickering long enough to admit what they really feel.</p>

<p>In a tense ten-minute thriller from writer-director [c=Nolan Arado], a simple, unsettling premise spirals into a gripping psychological puzzle. [c=Finn Leggatt] stars as a man who awakens to a terrifying reality: he possesses ten fingers but has lost the fundamental ability to count them, a cognitive fracture that signals a much deeper and more dangerous unraveling. As he desperately seeks answers, he encounters a mysterious woman, played by [c=Penny Daily], whose motives are as unclear as his own fractured mind, alongside figures portrayed by [c=Nico Listi] and [c=Irina Scaduto-Mendola]. The film masterfully builds an atmosphere of paranoia and dread, exploring the fragile nature of memory and identity. Trapped in a race against his own disintegrating perception, he must decipher whether this bizarre affliction is a personal breakdown or the key to uncovering a sinister external truth before his grasp on reality vanishes completely.</p>

<p>In the tense thriller [m=I Have to Kill My Neighbor], a quiet suburban street becomes a battleground of paranoia and survival. Directed by [c=Tyson Caron] and written by [c=Matt Sweeney], the film plunges into a terrifying scenario where the line between safety and threat blurs within the walls of one's own home. The story unfolds through a gripping ensemble performance featuring [c=Sarah Luby], [c=Lauren Cochrane], [c=Brynn Godenir], [c=Derek Kun], and [c=Darren Martens]. As suspicion festers and normalcy shatters, a resident is forced to confront an unthinkable reality, leading to a desperate and dangerous plan targeting the person living next door. This 90-minute descent into fear explores the psychological extremes of self-preservation, where every shadow holds a potential threat and the most familiar face may hide the darkest intentions.</p>

<p>In the poignant historical drama "I Heard the Bells," directed by [c=Joshua Enck], audiences are transported to the tumultuous landscape of mid-19th century America, where renowned poet Henry Wadsworth Longfellow grapples with profound personal tragedy and the devastating impact of the Civil War. The film follows Longfellow, portrayed with emotional depth by [c=Stephen Atherholt], as he struggles to find hope and inspiration amidst the loss of his beloved wife and the grim realities of a nation divided by conflict. As the war rages on and his own family is further tested by the horrors of battle, Longfellow’s faith in humanity and his poetic voice are pushed to their limits. The narrative weaves together his private grief with the public anguish of a country in turmoil, leading to a powerful reckoning on a snowy Christmas Eve. With a stellar supporting cast including [c=Jonathan Blair], [c=Rachel Day Hughes], and [c=Zach Meeker], this deeply moving drama explores the resilience of the human spirit, the search for peace in times of suffering, and the enduring power of art to bring light into the darkest of hours.</p>

<p>Convinced that a series of coincidences hold some secret to life's largest riddles, Albert Markovski (JASON SCHWARTZMAN) seeks the help of a detective agency unlike any other ... which leads him down a path that questions the essence of existence itself.</p><p>In an attempt to ferret out the meaning of these flukes, he consults Bernard and Vivian (DUSTIN HOFFMAN, LILY TOMLIN), AKA the Existential Detectives, a pair of married metaphysicians who fearlessly investigate the mysteries at the core of their clients' secret innermost lives. When on a case, these two follow their clients around closely, observe their daily activities, query their friends and employers and intently examine the lives they lead. The differences is that the Existential Detectives seek the solutions to the most persistent mystery of all - the one that lies at the core of reality and existence itself ... which means their investigations can get a little tricky.</p><p>Bernard and Vivian kick off their existential exploration of Albert Markovski by probing his past and present reality. Along the way, they uncover his festering conflict with Brad Stand (JUDE LAW), a golden boy executive climbing the corporate ladder at Huckabees, a popular chain of retail super-stores that wants to sponsor Albert's Open Spaces Coalition for the PR value. The Existential Detectives are convinced that Brad -- seemingly Albert's opposite -- is the key to cracking Albert's case, but then Brad turns the tables on their investigation, by hiring the detectives himself.</p><p>As Bernard and Vivian begin to dig deeper into Brad's ambition and his relationship with Huckabees' hot blonde spokesmodel Dawn (NAOMI WATTS), Albert begins to lose faith and rebels against their conclusions. Pairing up with another of the duo's clients - firefighter, tough guy and uncomprimising soul searcher Tommy (MARK WAHLBERG) - he joins forces with the Jaffes' arch nemesis, the sexy French philosopher Caterine Vauban (ISABELLE HUPPERT), who valiantly battles for the constrasting point of view.</p><p>Now, as Being chases Nothingness, Bernard, Vivian and Caterine chase one another in a wild romp through life's biggest questions to find the true answer.</p>

<p>Based on the outrageously popular book by [c=Tucker Max], this raucous R-rated comedy follows Tucker, a charismatic but profoundly selfish law student played by [c=Matt Czuchry], who lives by one creed: his own pleasure. His long-suffering best friend, Dan, portrayed by [c=Jesse Bradford], is usually along for the ride, but Tucker’s latest scheme pushes their friendship to the brink. In a desperate bid to salvage his own relationship, Dan reluctantly agrees to join Tucker on a legendary road trip to a strip club for a bachelor party, a decision he instantly regrets. What begins as a quest for hedonistic freedom quickly spirals into a chaotic weekend of disastrous hook-ups, bar fights, and catastrophic misunderstandings, all masterminded by Tucker’s unapologetic debauchery. Directed by [c=Bob Gosse], the film gleefully dives into a world of bad decisions and questionable morals, asking whether any friendship can survive when one man’s quest for a good time becomes everyone else’s nightmare.</p>

<p>In the hauntingly titled drama [m=I imagine your ashes in my cigarettes], director [c=Axel Aramouni] crafts an intimate and melancholic portrait of grief, memory, and the lingering presence of loss. The story follows a solitary figure, portrayed by [c=Léa Del Rio], who is caught in a ritualistic and deeply personal act of remembrance. Each cigarette becomes a vessel for memory, a way to keep the essence of a departed loved one close, their ashes symbolically mingling with smoke that drifts into the air. This quiet, almost spectral routine is disrupted by the arrival of a new connection, played by [c=Ken Kinankaziko], whose presence challenges the protagonist's self-imposed isolation. As [c=Cécile Devisme]'s character weaves through the narrative, the film explores whether it is possible to honor the past without being consumed by it. With a runtime of just 27 minutes, this poignant drama uses its compact form to deliver a powerful meditation on how we carry the dead with us, and the fragile line between remembrance and letting go. The tone is somber yet tender, inviting viewers into a deeply personal space of sorrow and tentative hope.</p>

<p>In a world where virtual realities blur the lines between fantasy and extremism, "I Joined ISIS on Roblox" explores the harrowing journey of a young gamer, Alex, who becomes embroiled in a dark online subculture. The film follows Alex, portrayed by [c=Jamie Smith], a bright but impressionable teenager who seeks belonging in the expansive universe of Roblox. As he navigates this vibrant game, he stumbles upon a group that lures him in with promises of camaraderie and adventure, only to reveal a sinister agenda.</p> <p>Motivated by a longing for acceptance and excitement, Alex finds himself pulled deeper into a web of manipulation and ideology. The tension escalates as he grapples with the moral implications of his choices while trying to maintain his friendships with fellow players, including his best friend, Mia, played by [c=Sarah Johnson], who notices the changes in him and grows increasingly concerned.</p> <p>This gripping drama balances moments of levity with intense emotional stakes, creating a thought-provoking narrative that challenges the viewer to consider the impact of digital environments on real-world beliefs and actions. As Alex's journey unfolds, the film raises essential questions about identity, influence, and the power of community in the age of the internet.</p>

<p>In this irreverent and darkly comedic film, the story centers around an ordinary man whose life takes an unexpected and humiliating turn when he experiences a mortifying accident in public. As he navigates the fallout of this embarrassing incident, he is forced to confront his own anxieties, the judgments of those around him, and the absurdity of social conventions. The protagonist’s journey is both cringe-worthy and surprisingly heartfelt, exploring themes of vulnerability, shame, and resilience. With a sharp, unapologetic tone that blends slapstick humor and uncomfortable truths, the film delves into how one moment can upend a person’s sense of self and challenge their relationships. Featuring a cast led by [c=John Doe], whose nuanced performance brings depth and warmth to the chaotic narrative, the movie balances its outrageous premise with moments of genuine emotion. This boundary-pushing comedy invites viewers to laugh, squirm, and ultimately empathize with a character who just can’t catch a break.</p>

<p>In a poignant and deeply introspective drama directed by [c=Murphy Smith] and [c=Sileshi Zeleke], "I Just Wasn’t Made For These Times" follows a young man named Alex, played by [c=Benjamin Swanson], who finds himself increasingly alienated from the fast-paced, digitally obsessed world around him. Struggling to connect with friends and family who seem to thrive on constant connectivity and superficial interactions, Alex retreats into a quiet, melancholic solitude. His life takes an unexpected turn when he meets a wise, elderly neighbor portrayed by [c=Kathryn Fritz], whose stories of a simpler era offer a glimpse of a life he craves. Meanwhile, a chance encounter with a free-spirited artist, portrayed by [c=Olukunle Olubakin], challenges him to redefine his own sense of belonging. As Alex navigates the chasm between his internal longing for authenticity and the relentless march of modernity, he must confront whether true connection is still possible. This brief yet emotionally resonant film captures the bittersweet ache of feeling out of step with one's own time, blending a gentle, atmospheric tone with a raw exploration of loneliness and hope.</p>

<p>In this hauntingly beautiful thriller-fantasy, young Barbara Thorson, portrayed by [c=Madison Wolfe], retreats into a world of her own making, convinced that monstrous giants threaten her coastal town. Armed with a handmade battle-axe and an encyclopedic knowledge of giant lore, Barbara prepares for an epic confrontation, isolating herself from classmates and family. Her fierce independence and troubling behavior draw the attention of the school psychologist, played by [c=Imogen Poots], and a compassionate new friend, Sophia, portrayed by [c=Sydney Wade]. Meanwhile, the enigmatic Mrs. Molle, played by [c=Jennifer Ehle], and a supportive teacher, Mrs. Hargrove, played by [c=Zoe Saldana], attempt to reach the troubled girl. As Barbara’s fantastical quest intensifies, the line between imagination and reality blurs, hinting at a deeper, more personal battle she is fighting. Directed by [c=Anders Walter], this emotionally resonant film weaves a tale of grief, resilience, and the courage it takes to confront the true monsters in our lives, offering a poignant exploration of how a child copes with overwhelming pain.</p>

<p>In this unsettling psychological thriller from writer-director [c=Katie Boland], [c=Abigail Breslin] stars as a young woman haunted by a chilling and recurring nightmare where she commits a brutal murder. As the line between her troubled dreams and waking reality begins to dangerously blur, she finds herself questioning her own sanity and memories. Her fragile world is further complicated by the arrival of a mysterious man, played by [c=Landon Liboiron], whose presence seems to trigger a deeper, more terrifying unraveling. With a tense atmosphere of paranoia and dread, the film explores the terrifying possibility of a crime committed without conscious intent, forcing the protagonist to confront a truth that may be more horrifying than any dream. Supported by a cast including [c=Bethany Brown] and [c=Michael Eklund], this gripping narrative delves into the darkest corners of the subconscious, where the most terrifying secrets are buried.</p>

<p>In a world where passive-aggression is an art form, a terminally polite man finally reaches his breaking point. [c=Daniel Radcliffe] stars as Henry, a mild-mannered office worker whose life is a symphony of unreasonable demands and subtle disrespect from colleagues, neighbors, and even his own family. His journey begins when a seemingly trivial inconvenience sparks a quiet revolution within him, leading to the adoption of a radical new personal philosophy. As Henry begins to experiment with setting firm, if bluntly worded, boundaries, his small acts of defiance create chaotic and unexpected ripple effects through every facet of his meticulously ordered life. This darkly comedic exploration of modern social anxiety blends cringe-worthy humor with moments of genuine catharsis, asking just how far a person can go to reclaim their peace before everything falls apart. Henry must navigate the hilarious and often disastrous consequences of his newfound assertiveness, discovering that telling the world to back off is far more complicated than it seems.</p>

<p>In the intimate and revealing documentary [m=I Know Catherine, the Log Lady], director [c=Richard Green] explores the life and legacy of [c=Catherine E. Coulson], the beloved actress best known for her iconic role as the enigmatic Log Lady in [t=Twin Peaks]. Through candid interviews with [c=Catherine E. Coulson] herself, alongside insightful contributions from visionary filmmaker [c=David Lynch] and other collaborators like [c=Helen Leboffe] and [c=Deborah Satterfield], the film delves into the profound impact Coulson had on the cult classic series and beyond. This tribute captures the spirit of a woman whose unique presence and creative essence transcended the screen, revealing her personal journey, artistic philosophy, and the challenges she faced. Woven with heartfelt reminiscences and behind-the-scenes moments, the documentary offers a contemplative and affectionate portrait that honors a cherished figure in television history. Balancing nostalgia with an earnest exploration of artistry and identity, it invites fans and newcomers alike to rediscover the magic behind the Log Lady’s mystique.</p>

<p>When five friends inadvertently cause a deadly car accident, they cover up their involvement and make a pact to keep it a secret rather than face the consequences. A year later, their past comes back to haunt them and they're forced to confront a horrifying truth: someone knows what they did last summer...and is hell-bent on revenge. As one by one the friends are stalked by a killer, they discover this has happened before, and they turn to two survivors of the legendary Southport Massacre of 1997 for help.</p>

<p>A small-town piano prodigy’s perfect life shatters when she becomes the latest victim of a sadistic serial killer. [c=Lindsay Lohan] stars as Aubrey Fleming, a bright student with a promising future, who vanishes one night, plunging her devastated parents, played by [c=Julia Ormond] and [c=Neal McDonough], into a waking nightmare. When she is found alive but brutally maimed on the side of a remote road, a chilling mystery unfolds. Aubrey awakens with no memory of her abduction, insisting she is not Aubrey at all, but a tough, blue-collar girl named Dakota Moss. As the authorities, including a determined detective portrayed by [c=Garcelle Beauvais], scramble to find the killer still at large, this enigmatic survivor’s fractured identity becomes the key to unlocking the gruesome truth. Directed by [c=Chris Sivertson], this tense psychological thriller weaves a disturbing tale of duality and trauma, where the only person who may hold the clues denies she even exists.</p>

<p>In a world where faith is often tested by silence, a profound personal journey unfolds in the short film I Know Who My God Is. Directed and produced by [c=Smita Adhikary], this poignant drama centers on a protagonist grappling with a deep spiritual crisis, their once-unshakeable belief shaken by unforeseen hardship. As they navigate a landscape of doubt and despair, the film explores the intimate struggle to reconcile a loving deity with the presence of profound suffering. The narrative weaves a delicate tapestry of emotion, moving through moments of quiet anguish and searching introspection. With a tone that is both contemplative and deeply human, the story invites viewers into a raw examination of devotion, identity, and the search for meaning when prayers seem to go unanswered. This brief but powerful film promises a moving exploration of the resilience of the human spirit and the complex, personal nature of divine connection.</p>

<p>In the hauntingly brief yet deeply affecting drama "I Listen for the Sound of Ashes," director and writer [c=Mihir Pyakuryal] crafts a poignant meditation on grief, memory, and the fragile connections that bind a family together. The film centers on a woman, portrayed with raw vulnerability by [c=Sapana Pyakuryal], who is consumed by the silent aftermath of a profound loss. She finds herself trapped in a ritual of listening—straining for echoes of a presence that has vanished, searching for meaning in the quiet spaces of her home. Her husband, played by [c=Ashok Nath Pyakuryal], struggles to reach her, grappling with his own helplessness as he watches her retreat into a world of echoes and shadows. Their shared silence becomes a character in itself, a palpable weight that threatens to engulf them. With its intimate, almost documentary-like gaze, the film explores the universal ache of trying to hold onto what is gone. Through its sparse dialogue and evocative imagery, [c=Mihir Pyakuryal] delivers a powerful, resonant portrait of how love persists in the face of unbearable silence.</p>

<p>In the unsettling horror film directed by [c=Julie Pacino], a young woman named Mae, portrayed by [c=Lucy Fry], arrives at a remote and idyllic country estate seeking refuge and a fresh start. She is welcomed by the seemingly gracious residents, including the enigmatic [c=Sarah Rich] and the intense [c=Madeline Brewer], who offer solace within their communal home. As Mae settles in, she begins to form bonds, particularly with another newcomer played by [c=Matt Rife], while navigating the complex dynamics overseen by figures like [c=Sheryl Lee] and [c=Cara Seymour]. Yet, the peaceful facade soon cracks, revealing that the house and its inhabitants guard dark, pervasive secrets. Mae must confront a growing sense of dread and the terrifying realization that the sanctuary she sought might be a gilded cage from which there is no escape, testing her sanity and will to survive against an insidious force. The film crafts a chilling atmosphere of psychological horror, where the line between safety and entrapment is horrifyingly thin.</p>

<p>In the thought-provoking documentary "I Looked Outside and Saw Us All," directors [c=Jelle Wernik], [c=Gradiva Verdeil Novara], and [c=Lisa Wagemakers] invite viewers to explore the interconnectedness of humanity through a poignant lens. The film features various individuals who share their unique stories, revealing the common threads of experience that bind us all. As they navigate personal challenges, aspirations, and moments of profound realization, their narratives weave together to form a rich tapestry of life, love, and resilience.</p> <p>The central characters, driven by their desire for understanding and connection, confront the complexities of their own lives while reflecting on what it means to be part of a larger community. The documentary's intimate tone creates a contemplative atmosphere, encouraging audiences to ponder their own place in the world and the relationships that shape their identities. As the characters' journeys unfold, viewers are compelled to consider the beauty and struggle of the human experience, making "I Looked Outside and Saw Us All" a compelling exploration of shared existence that resonates deeply with its audience.</p>

<P>In a Parisian laboratory, a severed hand escapes its unhappy fate and sets out to reconnect with its body. During a hair-raising escapade across the city, the extremity fends off pigeons and rats alike to reunite with pizza boy Naoufel. Its memories of Naoufel and his love for librarian Gabrielle may provide answers about what caused the hand's separation, and a poetic backdrop for a possible reunion between the three. Based on Guillaume Laurant's novel "Happy Hand." </P>

<p>In a world where corporate loyalty is currency and the gig economy has gone completely off the rails, director [c=Boots Riley] delivers a wildly inventive comedy that follows a charismatic crew of professional product testers known as "boosters." Led by the fiercely ambitious [c=Keke Palmer] and her sharp-witted partner [c=Naomi Ackie], this ragtag team of hustlers, played with infectious energy by [c=Taylour Paige], [c=Poppy Liu], [c=Eiza González], and [c=Kara Young], has mastered the art of gaming the system to score high-end merchandise and live a life of luxury on the cheap. Their carefully orchestrated scheme is thrown into chaos when a ruthless corporate fixer, played with sinister charm by [c=Demi Moore], and her tech-savvy enforcer, portrayed by [c=LaKeith Stanfield], set out to shut them down. With the help of a disgruntled insider, brought to life by [c=Will Poulter], and a jaded former executive played by [c=Don Cheadle], the boosters must pull off their most audacious heist yet to protect their way of life. Blending sharp social commentary with laugh-out-loud absurdity, this 105-minute rollercoaster is a vibrant, unpredictable celebration of rebellion and resourcefulness in a consumer-obsessed world.</p>

<p>Twins, Krystal and Donny, have been codependent their entire lives, still living together in their late twenties in a converted one bedroom house. When they both meet and start dating the same guy, they remain in denial about the fact that they're both dating him until he picks only one of them, forcing them to confront that they can no longer live the same life. </p><p>With nowhere to turn for advice except each other and their only two friends-Linda, a former middle-school Tae Bo teacher, and their mother-the twins are finally forced to look for answers from within.</p>

<p>I LOVE YOU PHILLIP MORRIS is the improbable but true story of a spectacularly charismatic conman's journey from small-town businessman to flamboyant white-collar criminal, who repeatedly finds himself in trouble with the law and on the lam, brilliantly escaping from the Texas prison system on four separate occasions - all in the name of love. Steven Russell (Jim Carrey) leads a seemingly average life - an organ player in the local church, happily married to Debbie (Leslie Mann), and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he's gay and he's going to live life to the fullest - even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris (Ewan McGregor). His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another. Told with an uncanny sense of humor and a lot of heart, "I Love You Phillip Morris" is an oddball tale of what can happen when the legal system, a daredevil spirit and undying love collide.</p>

<p>In the charming romantic comedy "I Love You Too," directed by [c=Daina Reid], a lovelorn man's quest for the perfect words becomes an unexpectedly profound journey. [c=Brendan Cowell] stars as Jim, a commitment-phobic man whose inability to say "I love you" threatens his relationship with his beautiful girlfriend, Alice, played by [c=Yvonne Strahovski]. Desperate for guidance, Jim forms an unlikely friendship with a wise and witty stranger named Charlie, portrayed by [c=Peter Dinklage]. As Charlie, a man with his own complicated past, agrees to help Jim craft the ultimate declaration of love, their adventures through the city force both men to confront their fears about life, loss, and connection. With a heartfelt script by [c=Peter Helliar], who also appears in the film, this story blends genuine laughs with touching moments, exploring the universal struggle to express true feelings. The film creates a warm, relatable atmosphere where the search for the right words leads to discovering the right path.</p>

<p>In a whirlwind of teenage bravado and unexpected romance, "I Love You, Beth Cooper" unfolds as a charming comedy about unrequited love and the chaos that ensues when a high school nerd decides to seize his moment. The story centers around Denis Cooverman, played by [c=Paul Rust], a shy valedictorian who surprises everyone—including the stunning cheerleader Beth Cooper, portrayed by [c=Hayden Panettiere]—by publicly declaring his love for her during his graduation speech. This bold confession sets off a night of wild adventures, mischief, and self-discovery as Denis embarks on an unforgettable journey to win Beth’s heart.</p> <p>As the night unfolds, Denis is accompanied by his quirky friends, including the witty and sarcastic [c=Samm Levine] and the ever-supportive [c=Alan Ruck]. Their escapades are punctuated by unexpected encounters and comical mishaps, leading them into the heart of a spirited party that challenges their perceptions of friendship and love. With a light-hearted tone and a backdrop of youthful exuberance, the film captures the essence of teenage dreams and the bittersweet nature of first love, inviting viewers to relive their own youthful moments of courage and spontaneity.</p>

<p>Louis C.K.'s "I Love You, Daddy" is a bittersweet comedy about successful TV writer/producer Glen Topher (C.K.), who panics when his spoiled 17-year-old daughter China (Chloe Grace Moretz) starts spending time with 68-year-old Leslie Goodwin (John Malkovich), a legendary film director with a reputation for dating underage girls.</p><p>Conceived in the high style of 1940s Hollywood movies, with lustrous black and white 35mm photography and a soaring orchestral score, "I Love You, Daddy" blends a classic look with Louis C.K.'s raucous modern comic sensibility to tell the story of a flawed man's struggle to connect with his daughter and get back on his feet as an artist.</p>

<p>In the charming animated short "I Love You, Jocelyn," a young boy finds his world turned upside down by the arrival of a captivating new girl at school. With a heart full of innocent affection, he embarks on a whimsical quest to win her attention, navigating the universal anxieties and grand gestures of a first crush. His journey is a tender exploration of youthful vulnerability, where every shared glance in the hallway feels monumental and every attempt to express his feelings is an epic adventure. Directed, written, and produced by [c=Tracey Laguerre], this brief but poignant film captures the delicate atmosphere of childhood infatuation with warmth and gentle humor. As the boy's earnest efforts unfold, viewers are invited to remember the exhilarating and terrifying thrill of those first flutterings of the heart, all building toward a moment of quiet truth.</p>

<p>In "I Love You, Man," a comedy from John Hamburg ("Along Came Polly," co-writer of "Meet the Parents," "Meet the Fockers," "Zoolander"), Peter Klaven (Paul Rudd, "Knocked Up" "The 40 Year Old Virgin") is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey ("The Office's" Rashida Jones), discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man. </p><p>Peter immediately sets out to rectify the situation, embarking on a series of bizarre and awkward "man-dates," before meeting Sydney Fife (Jason Segel, "Forgetting Sarah Marshall"), a charming, opinionated man with whom he instantly bonds. But the closer the two men get, the more Peter's relationship with Zooey suffers, ultimately forcing him to choose between his fiancee and his new found "bro," in a story that comically explores what it truly means to be a "friend."</p>

<p>Sometimes somber, somtimes sly and self-parodying, and always surreal, "I Love Your Work" chronicles the disintegration of Gray Evans (Giovanni Ribisi), a movie star losing his grip on reality, unable to adjust to his own celebrity, and consumed by a twisted nostalgia for love and simplicity lost.</p> <p>With his recent and highly publicized marriage to the beautiful starlet Mia (Franka Potente) already strained by the glare of the media and their own dueling egos, Gray begins an impossible, self-indulgent struggle to reclaim a sense of authenticity that ultimately drives him mad.</p>

<p>In a world where ambition and rivalry collide, "I Love/Hate The Aide" tells the captivating story of a high-powered executive, played by [c=Emma Stone], who hires a seemingly perfect assistant, portrayed by [c=John Boyega]. As their professional relationship blossoms, hidden agendas and personal aspirations unravel, revealing a complex web of loyalty and betrayal. The executive is driven by her desire to climb the corporate ladder, while the aide harbors secrets that could either elevate her status or bring her crashing down.</p> <p>Tensions rise as they navigate the cutthroat environment of their industry, where each decision can make or break careers. Their dynamic shifts from admiration to competition, resulting in an electrifying push-pull that keeps viewers on the edge of their seats. The film masterfully balances elements of drama and dark comedy, creating a tone that is both engaging and thought-provoking. With sharp dialogue and unexpected twists, "I Love/Hate The Aide" explores the complexities of human relationships in the pursuit of success, making it a must-see for fans of character-driven narratives.</p>

<p>In the romantic comedy "I Married a Dumbass," directed by [c=Juan Taratuto], the complexities of love and partnership are explored through a humorous lens. The film stars [c=Valeria Bertuccelli] and [c=Adrian Suar], who also serves as a producer alongside [c=Alejandro Cacetta], [c=Juan Pablo Galli], and [c=Juan Vera]. They are joined by co-stars [c=Alan Sabbagh] and [c=Maria Alche] in a story that delves into the frustrations and enduring affection within a marriage where one partner's perpetual blunders test the limits of the relationship. With a screenplay by [c=Pablo Solarz] and [c=Juan Taratuto], this 100-minute film navigates the comedic trials of mismatched temperaments, questioning whether love can truly overcome a constant barrage of foolish mistakes and misadventures.</p>

<p>A riveting and emotionally raw story that puts the modern male psyche under the knife, opening it up and exposing it for what it is. The four leads deliver crackling performances as they dig deeply within themselves to portray painfully honest characters. What emerges is a visually dazzling, sonically charged exploration of men on the brink of enlightenment ... whether they want it or not.</p><p>Richard, Ron, Tim, and Jonathan are friends from college who gather for a weekend each year to celebrate their friendship and catch up with each other. On the surface, they look like other men going through life: they have careers and families and responsibilities. But as with many people, there is more to them than meets the eye. As the weekend progresses, they go down the rabbit hole of excess. Fueled by sex, drugs, and rock 'n' roll, their bacchanalian reunion drives them to an unexpected place where they are forced to confront themselves and the choices they've made.</p>

<p>"I Met A Girl" follows the story of Devon (Brenton Thwaites), an aspiring musician with schizophrenia who is dependent on his older brother, Nick (Joel Jackson) to care for him. However, when Nick's wife, Olivia (Zahra Newman) becomes pregnant, they arrange for Devon to move out. </p><p>On a downward spiral, Devon is saved by Lucy (Lily Sullivan) a mysterious girl who is just as impulsive and romantic as he is. After one day together, they fall completely in love. Devon then arranges for Nick to meet her, but Lucy doesn't show. They try to find her but her apartment is empty. Nick suspects that Lucy is a delusion, while Devon, desperate to prove his sanity, discovers a note that she wrote him: meet me in Sydney. And Devon sets off on an epic, cross-country journey to find her; the girl of his dreams... who may be all in his head.</p>

<p>Adam Sandler ("Click") and Kevin James ("Hitch") team as two straight guys who stumble down the aisle with the best of intentions in I Now Pronounce You Chuck and Larry. Chuck Ford (Sandler) and Larry Allensworth (James) are the pride of their fire station: two guy's guys always side-by-side and willing to do anything for each other. Salt-of-the-earth widower Larry wants just one thing: to protect his family. His buddy Chuck also wants one thing: to enjoy the single life.</p><p>Grateful Chuck owes Larry for saving his life in a fire, and Larry calls in that favor big time when civic red tape prevents him from naming his own two kids as his life insurance beneficiaries. All that Chuck has to do is claim to be Larry's domestic partner on some city forms. Easy. Nobody will ever know.</p><p>But when an overzealous, spot-checking bureaucrat becomes suspicious, the new couple's arrangement becomes a citywide issue and goes from confidential to front-page news. Forced to improvise as love-struck newlyweds, Chuck and Larry must now fumble through a hilarious charade of domestic bliss under one roof. After surviving their mandatory honeymoon and dodging the threat of exposure, the well-intentioned con men discover that sticking together in your time of need is what truly makes a family.</p>

<p>Ian Gray, a PhD student studying molecular biology with a specialty in eye evolution, leaves his lab to go to a party and has an intense, but fleeting, encounter with a mysterious, masked model who escapes into the night. With only a picture of her stunning and iconic eyes, he tracks her down, and they fall in love. Their fundamentally different beliefs about life only serve to intensify their connection, and they vow to spend forever together. Years later, Ian and his lab partner, Karen, make a stunning discovery with profound existential implications. He must risk his life's work and his family to travel across the world to find the truth behind what he has found and what it may mean.</p>

<p>In a bold and self-aware act of cinematic rebellion, this twenty-minute meta-experiment defies traditional filmmaking conventions, existing as a deliberate provocation against the very platforms that categorize and commodify art. The film follows no traditional protagonist, but instead centers on the concept of a digital artifact—a movie uploaded to Letterboxd purely for its absurdity, a middle finger to the rigid structures of TMDB and the anti-art sentiment it represents. The central conflict emerges not from characters, but from the tension between the film’s existence as a joke and its forced classification as a legitimate work. The tone is irreverent, anarchic, and deeply ironic, embracing its own status as a piece of anti-art that questions the boundaries of cinema itself. Viewers are invited to witness a work that gleefully mocks the systems that try to define it, turning the act of logging and rating into a commentary on the nature of creativity in the digital age. This is not a film to be taken seriously, but one to be experienced as a playful, subversive statement.</p>

<p>Every day is another day closer to the day I'll never have to do this again.' Five women, one restaurant, one night, one birthday, one breakdown. Then the phone rings. A famous actor is coming for dinner. I Really Hate My Job is the story of an evening in a cafe in London's Soho. As in so many jobs, nothing much happens - except laughter, song, rage, collapse, intrigue, cooking, lying, nudity, conversation, secrets, love, friendship, ageing, hatred, rat-infestation and the arrival of a movie star. I Really Hate My Job. Who hasn't said it? A career. It's what happens when you lose control of a car on a wet road and it slams into a brick wall. You might assume they're just three waitresses, one cook and one dishwasher but they see themselves as an artist, an actor, a lover, an author and a philosopher.</p>

<p>An elderly woman hangs herself in a church. A grieving father searches for the truth about what happened to his missing son. And a trio of young city dwellers unleash a sinister force when they begin renovating a cursed home on a remote island. They don't know it yet, but each of these strangers is connected by a disturbing, decades-old secret-a mystery that holds the key to a series of terrifying supernatural events. </p><p>Based on the acclaimed novel by the "Queen of Icelandic Crime," this atmospheric chiller is both a hair-raising ghost story and a powerful tale of life beyond death.</p>

<p>In this intimate Italian drama, director [c=Maddalena Crespi] crafts a contemplative exploration of memory, place, and human connection set against the ancient landscape of southern Italy. The film follows a small group of characters whose lives intersect in unexpected ways as they navigate personal struggles and shared histories in a village where time seems to move at its own pace.</p> <p>[c=Emiliana Ventura] and [c=Eusapia Tiano] anchor the ensemble cast as women whose paths cross amid the weathered stone buildings that give the film its title. Their encounters with local residents, including characters portrayed by [c=Bruno Valente] and [c=Emanuele Casati], reveal layers of community bonds and individual desires that have been shaped by generations of tradition and change.</p> <p>At just fifteen minutes, this short film creates a rich tapestry of human emotion and cultural identity, using the stark beauty of its setting as both backdrop and metaphor. Crespi's direction emphasizes the power of place in shaping personal narratives, while her script weaves together moments of quiet revelation and understated drama. The result is a poetic meditation on how the stones beneath our feet carry the weight of countless stories, both told and untold.</p>

<p>A teenage girl living with schizophrenia who struggles with vivid and terrifying hallucinations as she begins to suspect her neighbor has kidnapped a child. Her parents try desperately to help her live a normal life, without exposing their own tragic secrets, and the only person who believes her is Caleb -- a boy she isn't even sure exists.

<p>Lee Byung-hyun (The Good, the Bad and the Weird) stars as Dae-hoon, a special agent whose pregnant wife becomes the latest victim of a disturbed and brutal serial killer, captivatingly played by Oldboy's Choi Min-sik. Vowing revenge, Dae-hoon blurs the lines between hunter and hunted and good and evil, eventually becoming a monster himself in his twisted pursuit of revenge. From Korean genre master Kim Jee-woon (The Good, The Bad and The Weird and A Tale of Two Sisters) I SAW THE DEVIL is shockingly violent and stunningly accomplished, transcending the police procedural and pushing the boundaries of extreme Asian cinema in surprising and thrilling new ways.</p>

<p>In this unflinching biographical drama, [c=Tom Hiddleston] delivers a haunting portrayal of Hank Williams, the legendary country music singer whose meteoric rise to fame was tragically overshadowed by his personal demons. The film follows Williams from his early days as a raw, aspiring talent through his rapid ascent to national stardom, capturing both the electrifying performances that made him an icon and the tumultuous private life that threatened to destroy him. As he navigates a strained marriage to his first wife, Audrey (played by [c=Elizabeth Olsen]), whose own ambitions clash with his career, Williams battles chronic pain, alcoholism, and a self-destructive streak that alienates those closest to him. Directed by [c=Marc Abraham], the movie immerses viewers in the gritty, smoky honky-tonk world of 1940s and 1950s America, contrasting the joy of his music with the sorrow of his unraveling. With a supporting cast including [c=David Krumholtz], [c=Cherry Jones], and [c=Bradley Whitford], this R-rated portrait explores the cost of genius and the loneliness that often accompanies fame, offering a raw and intimate look at a man who gave voice to heartache while living it.</p>

In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.