- CELEBRITY
- 11:20 PM, Apr 18
tone is an even bigger problem than it was in his last produced screenplayby Sheri Linden [Los Angeles Times ]
the variously eccentric characters and their flat Americana-kitsch backdrop never really feel like they're part of the same movie, eitherby Benjamin Mercer [Village Voice ]
the tone veers so wildly and uncertainly from black comedy to would-be wrenching emotional drama that you just stare at the screen, blinking in disbeliefby David Noh [Film Journal International ]
the result here is the type of calamity that should be more compelling than it isby Scott Tobias [NPR ]
the movie as a whole falls victim to a dewy kind of Tennessee Williams-itisby Joe Neumaier [New York Daily News ]
the more artistically ambitious and, perhaps for that reason, the more annoyingby Rick Groen [Globe and Mail ]
the film tends to treat Virginia like a tragic heroine of a vintage melodramaby Alison Willmore [Movieline ]
the film is too intently focused on exposing how bad they are at maintaining their secrets, which leads to a slew of stupid outcomesby Jesse Cataldo [Slant Magazine ]
plot twists strain believabilityby Linda Barnard [Toronto Star ]
overflowing with subplots and oddball charactersby Stephen Holden [New York Times ]
has much if anything to do with the upcoming US presidential electionby Prairie Miller [News Blaze ]
constantly destabilized by scripted swings between comedy and drama, realism and fantasy, genuine catharsis and indie-film ornamentationby Eric Hynes [Time Out New York ]