the film's success ultimately falls on the shoulders of relative newcomer Konigsberg, whose oddly affecting turn treads an extremely fine line between lost soul and manipulative brat
Quitters has more style than substance, but it's a cut above most, mainly because first-time director and co-writer Noah Pritzker has a lot of sensitivity toward a familiar subject that renders it real and touching if not exactly original
by Rex Reed [New York Observer ]
