In the disorienting short film "Landscape Psychosis," director Kim Westfall crafts a six-minute fever dream that blurs the line between reality and psychological unraveling. The film follows an unnamed protagonist whose solitary journey through a stark, ever-shifting wilderness becomes a mirror for a fracturing mind. As the landscape morphs from serene to menacing without warning, the central figure is forced to confront a series of cryptic, unsettling visions that seem to emerge from the terrain itself. Driven by an unnamed, gnawing dread, the character must navigate not only the physical obstacles of this hostile environment but also the growing suspicion that the external world is a direct projection of inner turmoil. The tone is haunting and atmospheric, leaning into surreal horror and psychological thriller territory. With no dialogue to anchor the experience, the narrative relies on visceral imagery and a mounting sense of claustrophobia, leaving viewers to question whether the protagonist is exploring a remote place or being consumed by a landscape born entirely from psychosis.