we've seen the bruised, tortured gambler, but Swanberg's signature magic, elevated by another one of Dan Romer's soulful, must-own scores, is addicting enough to ignore all of that
by making a satisfactory crowdpleaser that doesn't overextend itself, Swanberg has delivered his most traditional movie to date - and for this prolific filmmaker, who spent ages defying conventions, that's nothing short of a radical step forward