it's loopy, loony and doesn't care an ounce that it doesn't make a like of sense, and yet Tsukamoto's handling of it all is as self-assured and as confident as ever
doesn't bring much new to the half-man-half-machine concept, but with its delirious editing and eardrum-crunching soundtrack, it punches above its weight and musters a certain retro charm with its old-school effects