The End Of The Tour largely remains a two-man show, expertly approximating the vagaries of actual conversation-the starts and stops that occur when two strangers are getting to know each other, one sentence at a time
Segel is totally persuasive as a troubled brainiac, socking over Wallace's uneven flow of verbiage and melting ever so slightly in the heat of a fanboy-interrogator
by Peter Travers [Rolling Stone ]
by Kyle Smith [New York Post ]
