Moverman's elegant and acerbic fourth feature, both continues and disrupts his style of social critique
an unappetizing meal of class anxiety, politics, mental illness and delinquent children, writer-director Oren Moverman's "The Dinner" has plenty of dramatic potential. Unfortunately, the dish is all but inedible
"The Dinner" ends abruptly, leaving questions behind, but its performances are feast enough
by Pat Padua [Washington Post ]
by Moira MacDonald [Seattle Times ]
