it ties faith and violence together in a less showy and obvious way than many of its predecessors. Though its structure doesn't always work to maximum effect, the grim picture gets more involving as it goes and benefits from a hell of a cast
Antonio Campos was able to wrangle a story as ripe and unwieldy as Devil at all -- toeing a tricky line between art-house atmosphere and Southern Gothic soap opera, and somehow still managing to land on the grim side of fascinating
Antonio Campos has such reverence for the novel that he has illustrated it more than he's dramatized it; "The Devil All the Time" shows us a lot of bad behavior, but the movie isn't really interested in what makes the sinners tick
a mixed bag of bones and bodies, whose Southern Gothic atmosphere and superb performances --- from Tom Holland especially --- are let down by the film’s lack of narrative focus
"The Devil All The Time" may not be full of high-speed twists and turns the way you'd expect, but if you stick with the lax pace, the slow-burn reveals are worth the wait
by Richard Roeper [Chicago Sun-Times ]
by Michael Phillips [Chicago Tribune ]
by Matt Maytum [Total Film ]
