the film's director, Elvira Lind, chooses to slowly observe Ms. Smith rather than rush to understand or challenge her. That formless approach is risky, and for viewers unfamiliar with Mr. Naharin's technique
it doesn't know what it wants to be, or what story it wants to tell. The film is about a dancer, but there's not all that much dance in it
by Sheila O'Malley [RogerEbert.com ]
