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Solaris (2002)

Solaris

Overview


Genre

Sci-Fi, Thriller

Release Date

November 27, 2002

MPAA Rating

PG-13

Duration

99 min.

Production Budget

$47 millions

Studio

The 20th Century Fox

Official Site

click here

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  Be the 1st!

Cast and Crew


Director

Steven Soderbergh

Producer

James Cameron, Jon Landau, Rae Sanchini

Screenwriter

Steven Soderbergh

Starring

Story


Steven Soderbergh, whose eclectic resume includes the Academy Award(R)-winning drama "Traffic" as well as last year's ensemble caper "Ocean's Eleven," now brings his unique vision to SOLARIS, a story of love, redemption, second chances and a space mission gone terribly wrong.

SOLARIS is a love story rich with emotion and mystery, set within a science fiction framework. The story, which takes place sometime in the future, opens as Dr. Chris Kelvin is asked to investigate the unexplained behavior of a small group of scientists aboard the space station Prometheus, who have cut off all communication with Earth.

Kelvin undertakes the journey after watching a communique from his close friend Gibarian, the mission's commander, who seeks Kelvin's help aboard the Prometheus for reasons Gibarian is unwilling - or unable - to explain. Keenly aware that his opinion will decide the fate of the orbital station, Kelvin is shocked by what he finds upon his arrival: Gibarian has committed suicide and the two remaining scientists are exhibiting signs of extreme stress and paranoia, seemingly caused by the results of their examination of the planet Solaris.

Kelvin, too, becomes entrapped in the unique world's mysteries. Solaris, somehow, presents him with a second chance at love - to change the course of a past relationship that has caused him overwhelming guilt and remorse. But can he really revisit and alter the past? Or is he fated to repeat its mistakes?

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REVIEWS BY CRITICS

“..Clooney is the one who carries the film..”
by James Berardinelli [ReelViews]
“..rare and beautiful..”
by Eric Harrison [Houston Chronicle]
“..succeeding at boring us with its endless flashbacks and establishing shots..”
by Christopher Null [Filmcritic]