WHAT'S HOT?
Home > Movie > P > Project X > Reviews

Project X Reviews

Project X

Overview


Genre :

Comedy

Release Date :

March 02, 2012

MPAA Rating :

R

Director :

Nima Nourizadeh

Starring :

Miles Teller, Oliver Cooper, Jonathan Daniel Brown, Kirby Bliss Blanton, Dax Flame, Nichole O'Connor, Thomas Mann, Alexis Knapp, Jillian Barberie

REVIEWS RATE:  Critics  Nothing's perfect, but it's worth seeing.    Readers  5 of 5 [Rate It]

“..will only inspire a chorus of guttural "get off my lawn"s..”
by Ben Boyer [Sky Movies]
“..this party has no hangover, and frankly, Project X is no Hangover..”
by William Goss [Film.com]
2 of 5

“..the movie lacks the heart that made such films as "Superbad" and "Harold and Kumar Go to White Castle" rise above their genres..”
by Randy Cordova [Arizona Republic]
2 of 5

“..the film spends forever covering party shots that aren't as inherently interesting..”
by Sara Maria Vizcarrondo [Boxoffice Magazine]
Review rate : C-

“..the film looks like shit, the characters are boors, and it's as sloppily put-together as the home movie it pretends to be..”
by Keith Phipps [AV Club]
2 of 5

“..the central message is utterly bogus and it's ultimately let down by some appalling misogyny and a deeply unlikeable central character..”
by Matthew Turner [ViewLondon]
“..the camera is only a primitive tool for capturing grainy, trashy spectacle..”
by Andrew Lapin [NPR]
4 of 5

“..the "Animal House" of the iPhone generation? Could be. Pretty enjoyable for parents too..”
by Neil Genzlinger [New York Times]
2 of 5

“..proffering what is essentially a succession of debaucherous montages, intermingled with uneven attempts at comedy..”
by Thomas Leupp [Hollywood.Com]
5 of 4

“..more vulgar, sexist, and homophobic than other entries in the teen sex comedy cycle..”
by Andrew Schenker [Slant Magazine]
1 of 4

“..misogynistic movie filled with faceless crowds and nary a character who resembles an actual human being..”
by Claudia Puig [USA Today]
1 of 5

“..like Superbad crossed with Chronicle, only without any redeeming elements..”
by Simon Miraudo [Quickflix]
4 of 5

“..it's like a snowball rolling downhill, getting bigger, and badder, until it wipes out everything and leaves a path of destruction in its wake..”
by Julian Roman [MovieWeb]
1 of 5

“..it's all in 'good' fun and faked for film after all..”
by Bill Gibron [Filmcritic.com]
Review rate : B

“..in the end, though, it ain't nothin' but a party..”
by Owen Gleiberman [Entertainment Weekly]
Reviewed by Todd McCarthy [Hollywood Reporter]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

THE DROP :

“..it isn't as powerful as the previous Lehane-inspired movies, but it has slow-building traction and three terrifically controlled performances..”
by Lisa Kennedy [Denver Post]

SOMETHING WICKED :

“..instead of remaking Bradbury's tale, a semi horror film was derived from Shakespeare's quote - and has little to do with anything except the word Wicked.....”
by James M. Tate [Cultfilmfreak Cinema]

AT THE DEVIL'S DOOR :

“.."At the Devil's Door" doesn't piece together as the eerie, semi-apocalyptic tale it's meant to become..”
by Brian Orndorf [Blu-ray.com]

BIRD PEOPLE :

“..the new storyline offers some clever moments. But the whimsy isn't enough to warrant staying the night..”
by Jordan Hoffman [NY Daily News]

HONEYMOON :

“..a steady dose of newlywed nightmare..”
by Robert Abele [LA Times]

TAKE ME TO THE RIVER :

“..you can't help but feel all the palpable joy is eliding some darker realities that would lend the copious musical performances a deeper resonance..”
by Keith Uhlich [Time Out New York]

FINDING FANNY :

“..an original story that is dark, whimsical, witty and irreverent..”
by Priya Joshi [Digital Spy]

MINE GAMES :

“..Mine Games never fully embellishes the idea. Once it finally begins to throw the plot into high gear, it's too little too late. It feels like it's simply retreading old material in a new environment..”
by Patrick Cooper [Bloody Disgusting]

THE GUEST :

“..it's an effectively bloody, breakneck ride, given an extra coat of alluring gloss by the John Carpenter-influenced 1980s styling that is currently all the rage in the genre..”
by Guy Lodge [Time Out London]

20,000 DAYS ON EARTH :

“..a highly polished, carefully constructed docu-fiction hybrid..”
by John Semley [Slant Magazine]