WHAT'S HOT?
Home > Movie > M > Multiple Sarcasms > Reviews

Multiple Sarcasms Reviews

Multiple Sarcasms

Overview


Genre :

Drama

Release Date :

May 07, 2010 (Limited)

MPAA Rating :

R

Director :

Brooks Branch

Starring :

Timothy Hutton, Mira Sorvino, Dana Delany, Stockard Channing, Mario Van Peebles, Laila Robins, India Ennenga

REVIEWS RATE:  Critics  Not quite bad, but it's not recommended either.    Readers  5 of 5 [Rate It]

“..peddles the fantasy that playwriting at the beginner's level can generate serious money..”
by Stephen Holden [NY Times]
Review rate : C-

“..Multiple Sarcasms tries to do much the same-except for the fanciful and funny part..”
by Noel Murray [A.V. Club]
“..Listless failing-marriage drama suffers from script and direction as uninspired as its protagonist..”
by John DeFore [Hollywood Reporter]
“..it's the kind of odious, self-validating wish fulfillment that actually makes you appreciate the more generous self-absorption of Henry Jaglom films..”
by Brian Miller [Village Voice]
1 of 4

“..a sea of rambling, incongruously edited and lousily shot scenes..”
by Nick Schager [Slant Magazine]
“..a lot of heavy breathing..”
by Betsy Sharkey [LA Times]
“.."Sarcasms" should quickly find a cable berth..”
by Ronnie Scheib [Variety]
2 of 4

“.."Multiple Sarcasms" is a terrible title for a movie. And it's even worse for a movie that's got some other serious problems...”
by Jeff Vice [Deseret News]
3 of 4

“.."Multiple Sarcasms" has a way of creatively meandering into unexpected pockets of comedy and poignancy, heading toward some kind of eventual grace, a little like real life..”
by Tom Keogh [Seattle Times]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

PAUL BLART: MALL COP 2 :

“..the rest was a blur of weak slapstick, one over-dyed moustache and vague sexism, ageism and sizeism..”
by Sara Stewart [New York Post]

CHILD 44 :

“..unrelentingly grim, plodding, and close-to-incoherent adaptation of Tom Rob Smith's best-selling mystery..”
by Steven Rea [Philadelphia Inquirer]

UNFRIENDED :

“..a flashy new coat of paint for the "found footage" genre of horror movie, replacing wobbly handheld cameras with webcams and Skype. Unfortunately, the engine underneath that gloss is woefully familiar, offering the same jump scares we've seen..”
by Jacob Hall [NY Daily News]

MONKEY KINGDOM :

“..these gorgeous-looking films are so much more than chronicles of nature. They have a heart and an insight that's remarkable..”
by Joe Neumaier [NY Daily News]

ALEX OF VENICE :

“..although it's enjoyable, actor Chris Messina's directorial debut is somehow less than the sum of its parts, wading only through the shallow end of familiar human conflicts resolved too conveniently to satisfy..”
by Barbara VanDenburgh [Arizona Republic]

TRUE STORY :

“..lightweight script doesn't help a grandiose premise..”
by John Anderson [Newsday]

MONSTERS: DARK CONTINENT :

“..plays like a dorm-room answer to modern war films, complete with the constant profanity and masculine hysterics that pass for impact in an immature script..”
by Katie Rife [A.V. Club]

THE ROAD WITHIN :

“..three superb young actors try but fail to bolster a thin script..”
by Stephen Farber [Hollywood Reporter]

BEYOND THE REACH :

“..it isn't nearly as much creepy fun as it sounds like..”
by Stephen Whitty [Newark Star-Ledger]

THE SQUEEZE :

“..between plot and character, there are definitely 18 holes in "The Squeeze"..”
by Robert Abele [LA Times]