WHAT'S HOT?
Home > Movie > M > Margin Call > Reviews

Margin Call Reviews

Margin Call

Overview


Genre :

Drama, Thriller

Release Date :

October 21, 2011 (Limited)

MPAA Rating :

R

Director :

J.C. Chandor

Starring :

Kevin Spacey, Zachary Quinto, Stanley Tucci, Demi Moore, Simon Baker, Paul Bettany, Jeremy Irons, Penn Badgley, Mary McDonnell

REVIEWS RATE:  Critics  Go! Watch this movie. You'll regret if not seeing it.    Readers  Be the 1st!

4 of 5

“..though this could be the official film of the Occupy Wall Street movement, you don't need a political agenda to fear the enormity of power held by these select few. In fact, it's the sort of realistic horror that could unsettle an entire audience..”
by Elizabeth Weitzman [NY Daily News]
3.5 of 4

“..nevertheless holds its own among them, slicing perhaps a little too close to marrow..”
by Lisa Kennedy [Denver Post]
3.5 of 4

“..Margin Call may not be telling things exactly as they were, but it's close enough to provide an uncomfortable glimpse behind the curtain. And it's an engrossing "thinking" thriller as well. It's amazing that so much tension can be generated..”
by James Berardinelli [ReelViews]
Review rate : A-

“..it captures how our financial institutions became secret havens to a selfishness so undiluted it was sociopathic. You watch this drama of big money with a tingle of toxic fascination..”
by Owen Gleiberman [Entertainment Weekly]
3 of 4

“..if you enjoy good acting, and quiet direction - and are willing to accept that even the worst villain never sees himself as a villain - "Margin Call" is a pretty safe bet..”
by Stephen Whitty [Newark Star-Ledger]
2.5 of 4

“..for all its cool and nuance..”
by Steven Rea [Philadelphia Inquirer]
3 of 4

“..effectively voices the same outrage that the Occupy Wall Street movement is so loudly proclaiming..”
by Lou Lumenick [New York Post]
3 of 4

“..an explosive drama that speaks lucidly and scarily to the times we live in..”
by Peter Travers [Rolling Stone]
3.5 of 4

“..a smart, harrowing and mordant drama set inside a fictional Wall Street firm at the trip-wire moment just before the 2008 financial collapse..”
by Michael O'Sullivan [Washington Post]
3 of 4

“..a brainy, dialogue-driven business drama that feels as vital as an adrenaline-driven Hollywood thriller..”
by Colin Covert [Minneapolis Star Tribune]

Reader's Reviews


Screen Name
Rate This Movie
Please Enter   
Comment
 
 
 
RSS
FB
Twitter

LATEST REVIEWS

TOMORROWLAND :

“..the movie can conjure up futuristic images, but the story is nothing we haven't seen before...”
by Stephanie Merry [Washington Post]

POLTERGEIST :

“..the spirits may have been willing with Poltergeist but the movie is weak..”
by Linda Barnard [Toronto Star]

WHEN MARNIE WAS THERE :

“..will make fans of the Japanese animation studio yearn for when Hayao Miyazaki was there. The now-retired maestro of the form had a sense of poetry and lyricism that's sadly missing here..”
by Joe Neumaier [NY Daily News]

THE HUMAN CENTIPEDE III :

“..more depravity, more terrible acting..”
by Chris Nashawaty [Entertainment Weekly]

CHOCOLATE CITY :

“..a black riff on a certain stripper movie smash..”
by Roger Moore [Tribune News Service]

ALOFT :

“..the rest of it - the healer, the journalist, the falcons - is just a thick, tedious layer of frost on the window..”
by Katharine Pushkar [NY Daily News]

RETURN TO SENDER :

“..the camera prowls menacingly through the interiors, but the writers seem too content with their improbable conceit to bother with back story or character arcs..”
by David Parkinson [Radio Times]

ROOMMATE WANTED :

“..there's plenty of entertainment value to found. Just don't expect to leave the film with a smile on your face and joy in your heart..”
by Blair Hoyle [Cinema Slasher]

CAROL :

“..it is a creamily sensuous, richly observed piece of work, handsomely detailed and furnished..”
by Peter Bradshaw [The Guardian]

YOUTH :

“..Youth has a wan eloquence and elegance, though freighted with sentimentality and a strangely unearned and uninteresting macho-geriatric regret for lost time, lost film projects, lost love..”
by Peter Bradshaw [The Guardian]