Greenaway's boundary-pushing, breathlessly in-your-face approach begins to take its toll on viewer patience, resulting in Eisenstein not being the only one to ultimately lose interest in his bold Mexican odyssey
Eisenstein In Guanajuato is typical of later Greenaway in that it piles the screen with visual ideas that all look like garbage: flashes of text in red sans-serif; amateurish digital lens flares straight out of a graduation video
